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Conquering Blocks to Achievement

My book Fighting To Win: Samurai Techniques for Your Work and Life shows you an intelligent program for overcoming your internal blocks to reaching your highest achievements. All people everywhere on earth have an Every living thingurge to bloom, to blossom, to reach their fullest potential, but most aren’t able to because their inner blocks stop them time and again. They give up. They settle for lesser lives, and there’s no need for that.

There are a thousand blocks, but the main inner blocks you face are these:

Fear

Being afraid to take risks

Thinking too much

Doubting yourself

Hesitating

Fear:  Fear is the internal block of blocks, the obstacle of obstacles. The whole raven-1002849_640secret of existence is to be free of fear. When fear is conquered  your life begins fresh.

Being afraid of taking risks: How mediocre our lives would be if they consisted solely of avoiding risks. A survey was done of 300 adults who were asked to reflect on their lives, their happiness and their regrets. Who were the most dissatisfied with their lives? Those people who regretted not taking more risks.

Thinking too much: The Chinese character for “cowardice” is composed of two symbols, “meaning” and “mind.” The coward is one who finds too much person-690231_640meaning in things. He or she thinks too much. You’re thinking too much and becoming a coward when you spend an inordinate amount of time anticipating what could go wrong. Thinking that way you won’t start that business and won’t change your career though you’re unhappy, and won’t write that novel, and the rest of your life wish you had.

Doubting yourself: All people but fools doubt themselves sometimes. For most people, self-doubt is a fleeting and not-so-serious thing. But it dominates the lives of others and is their most serious block. They experienced doubt when they were children, and they still experience it as adults, and if nothing is done about it they will experience it the rest of their lives. What differentiates people who are confident from those in the habit of doubting themselves is not necessarily ability. People who doubt themselves may have as much ability or more ability, or much more ability than their confident counterpart who’s far less gifted but much more successful.

girl-1031309_640Hesitating: If you often find yourself waiting (for your lover to call you up, for that “just right” feeling before you act or for the “right” moment to start your life’s big enterprise) you might be on your way to becoming a hesitator. What you need now is a life of decisive choices. Throw a stake in the ground and say, “No hesitations anymore.”

REMEDIES

Practice the Skill of Making Your Body Obey Your Mind

The samurai skill of making your body obey your mind is this: going into action and getting done what needs to be done in your life in spite of your blocks. Not letting them stop you. You needn’t go off to a sanctuary on the top of a mountain to conquer your fear of whatever. You can say, “OK fear, come along if you want but THOUGH I’M TERRIFIED I’ve got a speech to give. Self-doubt, hesitation, thinking too much—you can’t stop me.”

Every day in offices, streets, art studios, and living rooms people are thinking: “In order to do it (whatever it is) I’ve got to first overcome my problem—my fear (or shyness, lack of self-confidence, bad habits, indecisiveness, etc.). Once I get rid of that baby, I’ll be all right. Then I’ll be able to sell, or lead company staff, make a speech in the town hall, go on a diet, etc.

The real problem isn’t what they think it is. It’s not the fear or lack of confidence or doubt. It’s their belief that the fear and doubt have the power to prevent them from doing the “it.” If you forget about yourself and your blocks completely and focus only on adapting to what life requires of you, no block will ever stop you.  Say to yourself, “THIS BLOCK HAS NO RIGHT TO STOP ME.” Keep your mind focused only on the task; forget about your emotions. PUT EMOTIONS OUT OF THE EQUATION.

So the next time a block is threatening to stop you, just have your body obey your mind.

Be Bold

The argument can easily be made that boldness and daring in and of themselves are what bring success in life. Boldness is the power to let go of the familiar and the secure. It isn’t something you save for when your life, your work, is going well. It’s precisely when things are going badly that you should be boldest. When things look particularly grim and you’re most discouraged, increase your determination and go forward confidently.

People are curious and want to know more about boldness because they know how important it is. I was asked to write an article on the subject for Success magazine and the article received one of the magazine’s highest readership scores ever in their history.

I know a painter. The best teacher she ever had gave her the best advice she ever received. He looked at her as she painted and said, “You’re being too careful. Make bolder strokes.” He went away. She followed his advice. He came paint-33883_1280back and studied her work. He raised his voice and said, “Bolder.” Later he came back again and said, even louder, “Bolder! What are you afraid of?” ”

It’s worthwhile to ask yourself when you discover yourself being stopped by blocks: “Bolder! What am I afraid of?”

Be Committed To A Life With Purposes

The samurai was taught, “Focus on your purpose.” When you discover what you must accomplish with your life, and moments in it, there comes something new and remarkable into your existence. You become inspired and mighty. You’re electric with that rarest of qualities possessed by so few—INTENSITY. Then your every act takes on a power strong enough to bring down a wall of iron. All hesitations and all fears and doubts fall away. You feel a zest, a tingle. Your imagination is on fire. It’s strength to be of one mind, complete and undivided, fully committed to a life with purpose.

Purposes are far more powerful than blocks. In the face of a powerful purpose, blocks dissolve and disappear. They can no longer stop you.

It’s never justified to say you can’t find a purpose. Purposes lie all around you like glittering jewels. Make whatever you’re doing your purpose of the moment, from the smallest thing to the biggest. Give what you’re doing stature, however insignificant it may seem. Then you’ll have intensity.

For a shy woman to conquer her shyness and go to a party alone is a major purpose. She’ll need a strong will and great courage. To take a second job for your family is a purpose. To be an attentive parent is a purpose. To start out on a new career is a purpose. To save a rain forest is a purpose.

Feather-60552_640When you make a purpose out of what a moment before was merely a responsibility, or a chore, or a duty by thinking, “This, what I’m doing now is my purpose” extraordinary achievements become possible. Obligations, once a heavy burden, now become light as feathers. Your life becomes tinged with a kind of glory. You become tinged with glory, and there is hardly an obstacle you can’t overcome, no obstacle out in the world, and no obstacle in you.

So, begin every day and every act of every day with a powerful purpose in mind.

 

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

 

© 2016 David J. Rogers

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Two Success Stories for Creative People

Why are so many writers and artists so scared? This morning I started reading the Weekly Digests of some of the blogs I subscribe to and decided this post I’m about to laptop-820274_640write needed to be written–and fast– because so many writers and artists seem to be living in fear and intimidation, and they needn’t. There is no reason that the processes that come after the exhilarating execution of the work—dealing with “gatekeepers”– agents and publishers, clients and galleries—need be dreadful.

The gist of many of the posts written by the more experienced writers in particular to less experienced writers is: “Here’s how to get your book published. I will be your wise guide.” I will not give you any advice like that today, but only tell you about my experiences and that of a friend in breaking into “big time” publishing. My experiences were quite different from what you find described in many intimidating blogs. I hope my experiences make you confident and sure of yourself, less fearful, and less intimidated. And bolder.

I’ll be talking about writing professionally in this post because writing professionally is what I’ve been doing—and thinking about– for the last few decades. But I’m sure there are painters, sculptors, actors, dancers—artists generally—who could tell the same story of how breaking into their field wasn’t as awful as they were told it would be, and in fact found it painless, exciting fun.

I had an idea for what I thought could be a really successful nonfiction book, just as you think your idea would make a successful book. Nothing like my book had ever been written before and it had potential, so I was confident that I had something. But I knew nothing about publishing. Oh, of course I’d heard the horror stories about the tremendous odds against getting any book published. Everybody on earth knows that—especially a first book, odds of five thousand to one and so forth.

But my exact thinking went like this: “Thousands of books are being published every year and I’m betting I’m more books-535352_640skilled than most authors of them (after all, in college a famous creative writing teacher had said teachers like her wait their “entire career for someone who can write like you.” And hadn’t I had a story published in a prestigious literary journal while just a student?) So why shouldn’t my book be published?”

Then I learned that you had to write a persuasive book proposal and get an agent who would contact editors on your behalf. I had written many, many proposals in business and so I wrote a six page double-spaced book proposal—a short proposal, not a long one, a plain, simple one, not a complex, elaborate, fancy one: short and I hoped, sweet.

I hadn’t written a sample of my writing other than the proposal itself and a cover letter that talked about my unique qualifications to write the book or a refined table of contents because I hadn’t completely fleshed out the book in my mind. (In fact, I wouldn’t know what I was really trying to write until I had been working on the book for 1300 hours. Then it hit me!) I just had this good idea for what I thought would be an exciting, profitable book someone would want to publish.

Now I needed an agent to send the proposal to. I looked at a directory of agents and sent the proposal to the first name on the agent’s list. Then if he didn’t pan out I would send the proposal to the second name on the list and work my way down. I wasn’t experienced enough to know then that some writers send their proposals out in batches to twenty or thirty agents at a time. I would send off my stuff to one agent at a time and wait to see what happened. I had no idea then that the agent I sent my little proposal to was one of the most highly regarded agents in the literary world—serendipity at work. (A reminder that a good amount of luck is involved in a writer’s life and you don’t want just any agent working for you, but a good one with a reputation above reproach whose tastes and judgment of talent editors respect very highly.)

Within three days he called me on the phone to tell me he would like to handle the book—he thought it was incredibly timely and he liked the way I wrote. And he liked short, sweet proposals. So now I had an agent. He pitched the book right away (a man of action; my kind of guy) to an editor he thought could very well be interested. And in a week and a half I had a publisher who was eager to put out the book—a top quality publisher. The advance I received was a good one, much better than I’d expected. I wrote the book in twelve grueling months as I was contracted for (be sure to establish a reputation for never exceeding a deadline) and then months passed while the book was being edited and published.

The pub date came and the book was given a promotional budget but not a big one—I was “unproven.” I appeared on a newspapers-33946_640few radio and TV shows, and then two important things happened: a freelance journalist fell in love with the book—Fighting to Win— and wrote a superb and flattering full page, multi-column piece on it in The Washington Post that drew a lot of attention, and the publisher’s sales rep in Chicago fell in love with it too and promoted it with book stores in Chicago’s large, good book-buying market and with the publisher’s other sales people working in other cities and marketing staff decision-makers. And the book became a best seller in Chicago and Washington. Then in San Francisco and Las Angeles and other cities.

Other syndicated journalists liked the book and started writing about it—articles appeared everywhere. It began popping up on college reading lists, and now there were foreign editions that were doing very well. There was a buzz about the book and I was sent off to other major cities for more interviews on bigger shows. I got to enjoying publicizing the book so much that I decided I would rather promote books than write them. In fact, the publisher asked me jokingly if I would go on shows and promote other of their books too.

I had a hit that went through ten printings. With each new printing the book’s cover price rose one dollar, so my royalties were climbing. Now I was no longer unproven and had a track record, and my proposal for my next book consisted of a total of four sentences spoken over coffee to the publisher. The advance for it was substantial. When that book was published the publisher said they would like another book from me. I asked what they wanted me to write about and they said, “Whatever you want.”

I know a man who wrote a book he thought had the potential to be published and be popular. His expectations high, he contacted a great number of agents and no one was interested in handling his book, telling him that in their judgment unfortunately it would be impossible for it to find a public. The agents’ tastes ran in other directions and based on their professional experiences over many years with many books they felt that this one just didn’t have that—that whatever it takes for people to want to buy a book.

He didn’t give up after he had exhausted his long list of agents, but contacted publisher after publisher himself, writing them, sending his manuscript, calling them up, making appointments, pitching the book on the phone and in their Being courageousoffices, expecting all the time that eventually he would succeed. He met nothing but failure—no one thought anything of the book—but he still believed in it and in himself. He still expected the book to be published and be successful. He had faith that one day he would see it in book store display windows.

Then an editor of a small specialty publisher he had contacted called him to come down and talk. When my friend entered the office his manuscript was spread out on the editor’s desk and the editor was bent over it, reading. The editor looked up and said, “Oh, good, you’re here” and with a smile on his face added, “I think your book will be the number one best seller in the country.”

That book became a publishing phenomenon—a cultural phenomenon–and sold an astonishing 25,000,000 copies in paperback alone. It became America’s—and the world’s–number one best seller. Within two months the author was famous and pretty soon he was rich. The book was When Bad Things Happen to Good People and the author was Harold Kushner.

Writers and artists who harbor deep and prolonged doubts about their capabilities are easily set back by obstacles and failures. But when confident self-directed  writers and artists encounter daunting obstacles, disappointments, and failures, they show courage, rally, and make a comeback, intensifying their efforts and persisting until they succeed.

So I’m saying what all my blogs say—be supremely confident, be non-attached and fearless. Don’t be scared. Persevere. Be indefatigable. Be committed to your work every moment of the day. Never let discouragement and negativity penetrate to your depths. No matter what happens, good fortune, bad fortune, keep your spirit light as a feather. Develop your skills to the highest possible level and become what I admire most—not just a writer, but a REAL writer; not just an artist, but a REAL artist.

© 2015 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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The Artist as Warrior

“The tramp of warriors sounded like a thousand convulsions of the earth. The shouts of warriors, the whistling of arrows, the thunder of the feet of foot soldiers and the hooves of chargers did not cease.”

“Fear is the true enemy, the only enemy.”

“When all psychological blocks are removed the swordsman will move without conscious effort.”

“The meaning of all things is within, in your mind, not something that exists ‘out there.’”
(From the Samurai Way)

martial-arts-291051_640Each time I visited a successful painter friend of mine I saw the same unfinished painting on the easel. Nothing about it changed month after month. Not a single new brush stroke touched the canvas. Then she moved away and I didn’t see her for a number of years. When we got together again I asked, “Whatever happened to that green pastel that was on your easel so long?”

She said, “I never finished it.”

I said, “You were afraid.”

She said, “I was terrified of it.”

I know a talented young writer who contacted 100 agents in hopes of getting his first book published. He had worked extremely hard on the book and it was very good. He thought of making it a trilogy, and had mapped out the next five years of writing. One agent showed interest and the writer was hopeful, but then the agent lost interest. Discouraged, doubting himself, having lost confidence, not wishing to be so disappointed again the writer stopped writing creatively and devoted himself to his teaching career.

I know an opera singer who has had a successful career, but suddenly and inexplicably after five years developed a fear of performing and for two years retired from the stage. She’s performing again but doesn’t know if that debilitating fear will ever return.

Each early morning I go into my work room upstairs and settle down to write. Now I’m in my element–confident, contented, primed and ready to work. I’ve been writing so long and have produced so many words. Generating text is second nature to me—easy, effortless, without strain. Yet, there is another emotion that is there with me some days. I pause, fold my hands in my lap, and ask myself, “What are you feeling now? Why are you hesitating?” And I answer, “I am feeling fear.”

paintings-316440_640“What are you afraid of?”

“I don’t know. Possibly that I won’t have my skills today; that I won’t be successful; that I’ll let myself down. I really don’t know.”

“Is that so important? Writing is such a small part of life.”

“Right now it is the most important thing possible.”

Bear in mind that I’ve had success writing. Also, I am no coward. I rescued a woman from a would-be rapist–chased him, caught him, fought with him, wrestled him to the ground, and held him till the police came. Yet when I sit at the computer to do the thing I do better than anything else sometimes I’m scared.

We speak of writer’s block, but that’s too narrow. There are sculptors’ blocks and actors’ blocks and ballet dancers’ blocks—the drawing back (intimidated, helpless) from the art we love and have performed many times before–being stopped by some powerful obstacle or set of obstacles that are not out there in the world, not visible to the eye, but are inside us.

The Samurai

The samurai–the finest warriors ever to walk this earth– were ordinary men and women who were trained to perform extraordinary feats of courage. Just as writers, artists, dancers, or actors face internal obstacles that interfere with their work, so did the samurai. The bulk of his or her training (there were women samurai) was devoted to overcoming those inner obstacles that are no different than the obstacles artists of all descriptions face—anxiety, procrastination, self-doubt, hesitation, fear of taking risks, discouragement, over-analysis, depression, apprehension, impatience, and more.

target-211225_640The release of the arrow is the most difficult problem archers face; they think too much, as often do artists, explaining the sudden loss of spontaneity, the sudden loss of skill. Fear is a dragon that often keeps us from success. The samurai was taught: “Strike through the dragon’s mask.”

The samurai’s mind was trained to be fudoshin—to be “immovable,” to never budge from the main goal (for the artist, to get the work done.) They were taught that when your thoughts get “caught” (toroware), or “stopped” (tomaru) on internal obstacles, you will have trouble executing any action—when your mind gets “hooked” or “snagged,” the way the opera singer’s mind was snagged for two years. Better to acquire tomaranu kokoro, “a mind that knows no stopping,” that flows smoothly from idea to idea without being stopped.

What I did in my book Fighting to Win: Samurai Techniques for Your Work and Life was to pluck the wisdom of the samurai off the battlefield and apply it to everyday modern life producing a book of musha-shugyo, “training in warriorship” so that people might overcome the internal obstacles that are troubling them.

Zen and the Samurai

The warrior class was the first segment of Japanese society to embrace Zen. From the twelfth-century on Zen became known as the religion of the samurai. What explains the fit between these two apparently different approaches to life?

Zen is many things—a religion, a philosophy, a life-style. It is also a psychology, a psychology of action, grounded on decisiveness, spontaneity, strength of will, adaptability, courage, and bravery. It was this psychological aspect of Zen which appealed most to the samurai, for to rush forward to face the enemy even if only death awaited him, he needed what Zen taught—to act without hanging back, without reservations, and with total commitment.

Warrior Artists

samurai-67662_640The elite samurai were members of the cultured, aristocratic upper classes—the daimyos, the lords. Bunbu ryodo “The united Ways of the pen and the sword” refers to the tradition of the warrior artist, master swordsmen who were also poets, calligraphers, and painters. The famed Miyamoto Musashi is considered the greatest samurai swordsman who ever lived. He was also one of Japan’s foremost artists whose work today has a place in Japan’s national art museum.

Samurai Maxims

“A warrior must only take care that his spirit is never broken.”

“Success will always come if your heart is without disturbance.”

“Let your mind be free to function according to its own nature.”

“Stick to the larger view of things. If your vision is narrow your spirit will be narrow.”

“Adversity in life is essential to training.”

“The end of our Way of the sword is to be fearless when confronting our inner enemies and our outer enemies.”

“If you walk, just walk. If you sit, just sit. But whatever you do, don’t wobble.”

You needn’t look too far or too hard to see that these maxims and the inner training of the samurai Way apply to the artist’s life. Like the warrior, if the artist is to grow, it will be from within. The artist’s work, like a warrior releasing an arrow, should be like a drop of dew falling from a leaf or a fruit falling when it’s ripe.

© 2015 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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What Prevents People from Reaching Their Goals and Purposes

dragon-149393_150THE ABILITY TO FIGHT FOR A BETTER LIFE IS A NECESSARY SKILL

ALL GREAT PEOPLE, ALL THOSE WHO HAVE MADE THEIR MARK, HAVE BEEN FIGHTERS.

“I have the kind of life purposes you talk about, I have dreams and ambitions, I have major goals, but I’ve never been able to reach them the way I thought I would and I’m looking for an explanation.”

“Blocks are stopping you.”

“Blocks.”

“Yes, blocks, impediments, obstacles, some outside you, out in the world, but the most powerful are inside.”

“What do you mean?”

“Inside your spirit and mind.”

“What am I to do?”

“We say about a woman, ‘She’s very sick, but she’s a real fighter,’ and there is no higher compliment we can pay her—no higher compliment we can pay anyone. As long as she’s fighting there is hope. If you are as serious about a better life as you say you are you too would be willing to fight for that life. You would fight with all your might, wouldn’t you? How important can a life be if it isn’t worth fighting for? The ability to fight for a better life is a necessary skill. Some people possess it; many do not. But it can be learned. All people can be fighters. All great people, all those who have made their mark, have been fighters.

BLOCKS are your opponents. BLOCKS are what you’re fighting. BLOCKS are keeping people from a full life. So you must learn to be a fighter, and whatever your personality, that’s possible.”

BLOCKS PEOPLE FACE HOLD THEM BACK…

…hold them down, and keep them from the better life they deserve. Because of blocks, very few people are making full use of all the marvelous talents they possess. Their abilities go to waste. There are two types of opponents/blocks you run into all the time. I know without having met you that you are facing at least one of them as you read this—and maybe more than one. Maybe many.

OUTER opponents/blocks are any forces, hindrances, or obstacles in the external world outside of you that you will have to eliminate or overcome if you are to have a more fulfilling life and reach what you’re seeking—whatever that might be.  Anything out in the world standing between you and your peace, prosperity, and well-being is an outer opponent, outer block. Right now you can think of the life you envision and aspire to and see very clearly that there are blocks that stand between you and it.  People when they oppose you, problems, tough situations, setbacks, crises, disappointments, discouragements, past failures, and difficult tasks are a few outer blocks.

INNER BLOCKS are in the person, in you. You and I grew up believing–because that’s what we’ve been told–that the main blocks confronting us are outside us. But that’s not true and all you need do is to reflect on your own life to know that’s not true. The BIG BLOCKS are those blocks of the mind and spirit.  Lack of self-confidence and self-reliance, self-doubt, destructive habits, problems handling pressure, laziness, an explosive temper, procrastination, excessive worry, constant boredom, and living without strong commitments are a few inner obstacles. (I will talk about some of the most powerful and detrimental blocks in future posts.)

They may be daunting, they may be intimidating, they may have become such habits that you hardly know anymore that they exist. But they are there and again and again they are keeping you from a better life. So you must do something about them.

The samurai, the greatest fighters ever to walk this earth, the basis of my book Fighting to Win, called all opponents in our minds and spirits, “DRAGONS.” You and I believed in dragons when we were children. They were hideous and terrifying and we drew back in horror. Then we discovered that the only place they existed was in our minds. When we realized they were only figments of our imagination they vanished, never to return.

ALL INNER OPPONENTS/BLOCKS ARE DRAGONS. THEY ONLY LIVE BECAUSE WE GRANT THEM POWER TO. But when you “strike through the dragon’s mask,” conquering inner opponents, inner blocks, dragons disappear—like that. They only exist because we give them license to. When we revoke their license they are gone and we are free.

SEVENTY PER CENT OF YOUR BATTLES ARE WITH INNER BLOCKS

“So you’re saying that inner blocks, inner obstacles, dragons, are powerful.”

“Yes, extremely powerful, interfering with very simple acts to more complicated ones. Inner blocks can destroy lives—they are destroying lives this moment.He or she broke your heart, so you tell yourself, “I never again want a broken heart. I will never get seriously involved again.” And so you may never love or be loved again. That’s an inner block—that’s a dragon. Being afraid to give a speech in public is the number one fear in this country. People would rather fall out of an airplane. That’s an inner block. Wanting to start a business or write a novel or change your career at last but saying, “That is an enormous undertaking and full of risks,” and letting your constant fear of taking chances stop you is an inner opponent.

“Many people slow down or stop completely when they approach the achievement of their goals, even goals they have been striving for for years, and then may never achieve them. No one knows why this is true, but that tendency is a dragon that has to be struck through. Going back and forth on a decision for weeks, months, or years, and never making up your mind what to do is an inner opponent. Get with it. Stop wasting the one short life you have. Our lives are like cherry blossoms that don’t last long in the wind that blows them from the tree. You’ve got to make a decision. Inner blocks/dragons create very sad states of affairs, and how you can acquire the ability to overcome them is worth looking into.

“But no block is a fate, a destiny. You don’t have to continue being the way you have been. Personalities can change, habits can change. I’ve seen lives changed almost miraculously. We can start fresh this moment. That’s the whole point. A cat becomes all the cat it will ever be without having to think about it, but we’re not cats. We all have an urge to make full use of our talents and to live a life we are designed for. That was to be your destiny. But we are not served a fulfilling life on a platter. We have to work at becoming all that we hold the promise of being—no room in this life for laziness or apathy.”

FEAR IS THE BLOCK OF BLOCKS

The Whole Secret of Existence is to be Free of Fear

FEAR is the block of blocks, the main obstacle, the principal opponent, the most fearsome dragon. Fear is as much a part of living as breathing. You are afraid of at least one thing every day—small things, big things, happiness-threatening things. There are a thousand fears that dominate people and keep them from a better life. Fear creates anxiety. This is the age of anxiety. Fear creates failure.

All inner blocks, all dragons, are a result of fear. What is the whole secret of existence? It is to be free of fear. The samurai was told, “Be fearless, have no fear.” What the samurai learned and that made them exceptional—ordinary people who through training became extraordinary– we can learn.

START YOUR OWN LIST OF DRAGONS

Head a blank sheet of paper or go to the computer. Head a list “Inner Dragons.” Then jot down anything you can think of in you that’s keeping you from achieving greater success in any part of your life. See how easy that is to do? No one ever needs to tell you what your blocks are. Now you’re aware of the inner dragons you will have to conquer.

 THE SAMURAI

The Japanese samurai were soldiers in the service of a Lord, like our soldiers in Afghanistan in service to the country. Imagine a samurai warrior going into battle. Across the field is the enemy. To go into battle he—or she (there were women samurai)–had to overcome the identical emotions we encounter every day, the emotions we’ve been talking about. They had to conquer fear and the other dragons like self-doubt in themselves. If they didn’t overcome those blocks the consequences were serious, even fatal. They had to learn courage and bravery, for example—things of the heart–things we need every day, prerequisites of truly effective living.

So what did the samurai do? They did something astounding. They developed an entire complete system—called musha shugyo— to conquer their dragons—your dragons—the most effective, most unique, such system ever devised by man which Fighting to Win updates and applies to 21st century work and life. Said the samurai:

“The end of our way of the sword is to be fearless when confronting our inner enemies and our outer enemies.”

“When you meet calamities and rough situations it isn’t enough simply to say you’re not flustered. Whenever you meet difficult situations dash forward bravely and joyfully.”

“Go to the battlefield firmly confident of victory and you will come home with no wounds whatsoever.”

“The greatest warrior is the one who conquers himself.”

TO BE FILLED WITH POWER

“We give blocks too much power. We let them prevent us from leading the lives we dream of. So they have to be conquered. You have to get rid of them. And that can be done. When you live like that—focusing again and again on a better life, conquering one impediment after another—you are suddenly filled with tremendous power, and a bright light shines around you like a private sun.”

“I wish I could hire a samurai to help me.”

“Why? Be a samurai yourself.”

© 2014 David J. Rogers

 

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For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

 

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