Category Archives: Persistence

Artists and Their Love of Work

To the Artist Work Is Not an Obstacle, but a Gift

Artists have about fifty qualities that fit perfectly together to make them best suited to be artists rather than engaging in other occupations. One of those qualities is their love of and attachment to work. The majority of people do not like to work, consider work a burden, and would rather not work, but seek leisure and rest.  But most writers, painters, actors, and ballet dancers who will become known vary from that norm.

Creative people do not avoid work, but absorb themselves in it, even though the work of a recognizably accomplished artist is difficult, extremely hard to master, and taxing.  What drives them to the easel or keyboard every possible day is the joy of working and a desire for creative fulfillment, a special state of being that lies at the far end of hard work that evades most people.

Painting of human figures in shades of brown

The Turning of Backs by Janet Weight Reed (Circa 1984)

In The Creative Process Brewster Ghiselin states that artists and thinkers create the structure of their mental lives by means of their works. C. G. Jung said, “The work in process becomes the poet’s fate.” The work–the painting, novel, or musical composition–must be finished [half-finished doesn’t count] if the artist is to be satisfied because “it is only as the creative work is done that the meaning of the creative effort can appear and the development of the artist brought about by it is attained.”

William Faulkner, author of thirteen novels and scores of short stories, said that “the only thing a man can do for eight hours a day is work. He can’t eat for eight hours; he can’t drink for eight hours; he can’t make love for eight hours. The only thing a man can do for eight hours is work. ” To the artist work isn’t an obstacle, but a gift, a challenge not to be avoided, but to be embraced happily.

Faulkner’s secret was to stop looking at the clock. He wrote, “Clocks slay time… time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.” Staring at the clock never gets the artist’s work done.

Vincent van Gogh talks about the agonies artists feel when they are unable to perform artists’ work, his feelings then of being imprisoned in “an …utterly horrible, horrible cage.” Work is so essential to artists’ sense of wholeness that not being able to work at an artist’s role in van Gogh’s judgment reduces artists to a state of “nothingness” and uselessness.

Oil on canvas with symbolic images

Symbolic Self Portrait by Janet Weight Reed (Circa 1990)

When men and women commit to a serious artist’s life they introduce into their existence the most demanding effort and emotional upheavals generally they will have ever known. They might have been stevedore longshoremen on the docks of New York, but will never know days of exhaustion like this: “Work every day till your [sic] so pooped about all the exercise you can face is reading the papers” (Ernest Hemingway). Poet Emily Dickinson said that if she felt physically as if the top of her head was taken off, she knew that was poetry

Artists begin each day with the goal of working hard. I have been laid up with bad colds for weeks, unable to work, and it has been frustrating and truly painful for me when all I want is to get back to writing my book.

Artists are almost always bent on working hard: “Work is the law. Like iron that lying idle degenerates into a mass of useless rust, like water that in an unruffled pool sickens stagnates into a stagnant and corrupt state, so without action the spirit of men turns to a dead thing, loses its force, ceases prompting us to leave some trace of ourselves on this earth” (Leonardo da Vinci).

Photograph of the installation of three 18ft hanging mobiles

Photographed during the installation of three 18ft hanging mobiles commissioned for an architects building in Pa. USA Janet Weight Reed

Even striving to sew together an artist’s life is daunting: “The sheer labor of preparing technically for creative work, consciously acquiring the requisite knowledge of medium and skill in its use is extensive and arduous enough to repel many from achievement” (Brewster Ghiselin).  “From the hard work of men are born…the fidelity to right practice which makes great craftsmen…[and] the devotion to a calling” (Joseph Conrad).

Every serious writer can identify with Flaubert’s “I have written no more than 25 pages in all in six weeks…I have gone over them so much, recopied them, changed them, handled them, that for the time being I can’t make head or tail of them.”

To persist like that takes drive and commitment that’s extraordinary. While you might be able to do that because you’re a writer and you know what’s needed, almost no one you know, from your brother-in-law to your auto mechanic, can imagine doing it voluntarily because they’re not artists–those individuals who think nothing of it.

 

The “Big Two” of Focus and Energy Lead to Artistic Success

Artists are exceptionally complex thinking and feeling beings who by the grace of nature possess the two main qualities leading to success whatever the field: intense focus and accompanying extraordinary quantities of physical and spiritual energy–Focus and Energy.

Many of the greatest artists and writers have an overpowering urge to produce specific works and have labored astronomically long hours for many years, frequently with no vacations to speak of because there was nothing they would rather do than their work—an unheard of 60 hours, 70 hours, 80 hours every week.

Watercolor of three water birds taking flight

Rapid watercolour capturing movement. Janet Weight Reed (recent work)

Twentieth century inventor and visionary Buckminster Fuller worked in a frenzy, concluding his work days only when overwhelmed by exhaustion. Honore de Balzac wrote fifteen hours a day for twenty years, and to fuel his energy was in the habit of drinking at least fifty cups of strong coffee every day—so much so that coffee poisoning was one of the causes of his death.  Focus and energy are why artists can produce tremendous amounts of work, often four, six, ten times what less focused and energetic people produce.

Poet John Milton said that some people “scorn delights for more laborious lives” and asked, “What hath night to do with sleep?” The tremendous number of hours high achieving writers, sculptors, and ballet dancers are able to work may account for their ability to produce work after work at breakneck speed.

Another reason for such speed is because after a certain number of years of constant practice, producing works becomes automatic for artists. All the skills they need are intact and functioning at extremely high levels, and inspiration comes to them spontaneously and involuntarily immediately and without strain, like wine flowing out of a cask, when they sit down to type at their computer or stand facing an easel with brush in hand,

The pace you work at is as individual as DNA.  John Irving says, “I write all my drafts by hand. It’s the right speed for me—slow.” Erle Stanley Gardner was different. He once worked on seven novels simultaneously, dictating 10,000 words in a day, and was the world’s fastest writer. And he was also a lawyer.

Artist painting a portrait while another artist paints her

Portrait demonstration in Paris. Janet Weight Reed

Why is it that producing a creative work is often so much more painful than the envious non-creator can imagine? French novelist Gustave Flaubert wrote a friend, “You have no notion what it is to sit out an entire day with your head between your hands beating your unfortunate brains for a word.”

At times the novelist, essayist, poet, or dramatist writes night and day, then executes revision upon revision. Kurt Vonnegut said that writing allows even a stupid person to seem halfway intelligent if only they write the same thought over and over again, improving it just a little each time. Although writing is sometimes grueling, tedious, boring, and very difficult, few other things matter as much to writers.

The act of producing art–so liberating to the artist–may also involve emotional suffering.  Julian Green wrote, “if only people knew what lies at the heart of my novels. What a tumult of desires these carefully written pages conceal! I sometimes have a loathing for the furious cravings that give me no peace except when I am writing.”

If you are to succeed in a noteworthy way as an artist you must have the ability to focus intensely for extended periods of time.  Creative people often learn at an early age that they will achieve more if they focus their efforts on one area rather than dividing them among a variety of pursuits. They may not be good at math, may not care for games, may never go dancing.   As a child all Pablo Picasso wanted was to draw or paint and was such extremely poor student in every other subject that people thought him stupid.

 

The Most Distinguishing Quality of Creatives

Persistent and enthusiastic absorption in their work is the most distinguishing quality of creatives in spite of Flaubert’s and Green’s kind of suffering, or your own very real suffering.  Creative talent is indistinguishable from passion and intensity. You can hardly call yourself creative if you lack them.

Landscape of trees, road and sky in blue, green and yellow

Landscape – Brecon Beacons Wales by Janet Weight Reed

One reason writers and painters who are experts are more accomplished than writers and painters who are very good but not experts is that experts are more passionate about their work and spend more hours at it. The only way you could keep some artists from writing or painting would be to dislocate their fingers. Even before their fingers were fully mended, the artists would be back at work.

What makes writers and painters, actors and composers so persistent? It is their thrilling, hard-to-contain joy in the act of creation itself: “It is worth mentioning, for future reference,  that the creative power which bubbles so pleasantly in beginning [of a new work] quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything” (Virginia Woolf).

 

Flow

When they are creating, artists are capable of losing all sense of time and place, conscious only of the work before them. They will let nothing divert them from accomplishing their creative goals, working night and day if need be.  Flaubert said that only writing mattered to him, and that he kept all his other passions locked up in a cage, visiting them now and then for diversion.

Egrets taking flight purple and blue watercolor on white

Egrets in Flight by Janet Weight Reed ( recent)

The artist’s sometimes astonishing work production is aided by flow, a state described by Mihaly Csikszentmihalyi. In flow you’re fully absorbed in the act of writing, painting, acting, composing–more fully absorbed than you have been in anything else. Your concentration and positive emotions are strong and alert, and you know exactly what needs to be done. You put aside personal problems. You lose your sense of being in time and of having a body or a mind. Art comes out of you effortlessly.

You’re relaxed, “psyched,” focused, and yet detached at the same time—in a state of harmony with your surroundings. You’re as confident and feel as competent as you’ll ever be. When artists are in flow they are functioning at their most potent ability.

The main qualities of flow are the following ten:

  1. Your goals are clear and not muddled. (When you work at your craft, your goals must be so clear that you can state them in a single sentence.)
  2. There’s unambiguous, immediate feedback on performance so that adjustments can be made. It’s hard to become immersed in your art if you’re not certain about how well you’re doing, what’s feasible and what isn’t, and whether you’re wasting your time or are accomplishing something that’s worth accomplishing.
  3. Your skills are well-matched with the goal you’re trying to achieve: whatever the skill the art calls for, you possess. You’re very confident that you have every skill you’ll need to reach the goals of the project at hand. To attempt something you lack the skills for will only frustrate you.
  4. Your concentration is highly focused.
  5. You’re not worried about failing.
  6. There’s no sense of “self” separated from the work at hand. You do the work, but don’t think, “I am doing this work.” There is no “I” involved. You are non-attached.
  7. Your sense of time is distorted. An hour seems like a minute or a minute seems like an hour.
  8. The activity is so enjoyable in itself that you need no external reward. But pay and other external motivations can also lead to you being in the zone such as when after years of trying unsuccessfully, you have a great financial success and public recognition.
  9. You don’t feel tiredness.
  10. You lose your appetite or don’t notice it and you skip meals.

 

Being In the Groove

Very much like being in flow is being in the groove. In The Creative Habit dancer/choreographer Twyla Tharp talks about “finding your groove.” Grooves can last minutes, hours, or weeks or months, and are usually preceded by a breakthrough idea. What does it feel like when you’re in a groove?

“When you’re in a groove, you’re not spinning your wheels, you’re moving forward in a straight and narrow path without pauses or hitches. You’re unwavering, undeviating, unparalleled in your purpose. A GROOVE IS THE BEST PLACE IN THE WORLD. It’s where I strive to be, because when you’re in it you have the freedom to explore, where everything you question leads you to new avenues and new routes as everything you touch miraculously touches something else and transforms it for the better…And then it’s over…There’s no point in analyzing it. If you could figure out how you get into a groove you could figure out how to maintain it. That’s not going to happen. The best you can hope for is the wisdom and good fortune to occasionally fall into a groove.”

 

Hummingbird in green white and Aqua on yellow and pink background

Hummingbird by Janet Weight Reed

The beautiful paintings included in this post are by one of my favorite artists, Janet Weight Reed. The images shown here are a tiny example of some of the work she has completed during a career which has spanned 45 years.The hummingbird, symbolizing the “unseen magic” of the world is her signature image.

Janet says, “Waking each day filled with anticipation, excitement and sometimes trepidation is I believe one of the many reasons that keeps an artist/creative going.  To be in the flow and rhythm of creative work is a wonderful state of being.  No matter what else is going on in one’s life a deep sense of fulfilment takes over.”

 

I won’t ask if you have ever been in flow or in the groove or have known the bliss of creation because if you are an artist working every day with seriousness, living the life of a creator, I know you have, possibly many times.

Instead, I’ll ask, “Were you in the groove today? How did your work go?”

 

© 2019 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

http://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

 

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

Fighting to win Amazon

Click on book image to order from Amazon.com

or

http://www.barnesandnoble.com/w/fighting-to-win-samurai-techniques-for-your-work-and-life-david-rogers/1119303640?ean=2940149174379

Order Waging Business Warfare: Lessons From the Military Masters in Achieving Competitive Superiority

Waging Business Warfare812sCY9edLL._SL1500_

Click on book image to order from Amazon.com

or

http://www.barnesandnoble.com/w/waging-business-warfare-lessons-from-the-military-masters-in-achieving-competetive-superiority-revised-edition-david-rogers/1119079991?ean=2940149284030

 

Follow my blog with Bloglovin

 

 

 

24 Comments

Filed under Artists, Becoming an Artist, Creativity Self-Improvement, Creators' Work Life, Developing Talent, Human Potential and Achievement, Flow, In the Groove, Life of Creators, Persistence, The Nature of Artists, Twyla Tharp

Inspiration, Guidelines, and Quotations for Writers, Artists, and Other Creators

Painting of red trees on blue and green background

Above Vinci by Karin Goeppert

This is my eighth post of quotations about creativity, creative people, and the creative process that I’ve assembled from my reading and writing. These quotes are valuable because writers, artists, photographers, and actors and other performers have expressed interest in them. They are interested in them because insights into creativity and the creative life can be applied to their work, bring them inspiration, and  increase their knowledge and skills, enabling them to produce increasingly better, more sophisticated, and more popular work. That is an urge to improve and excel that animates almost every creative person from the first morning of the first day of their creative life to midnight of the last.

An important reason a creator hungers for information like this is the competitiveness of fields requiring inventiveness: painting is exceptionally competitive; writing and acting are too, and the creator is looking for an edge. Even one idea from these posts may lead to a creative breakthrough that strengthens the creator’s competitive position.

Persistence

The first thing a creator has to learn is not to quit.  Have you thought of quitting? The majority of creators quit. They quit because they think no matter what they do they can’t succeed.  But that can be overcome.  The ideas in this post may help. What they need are new insights showing them that success comes from within a healthy, creative mind and is feasible for them. Then they have to also learn not to be mediocre. Most people don’t want to be mediocre, yet are perfectly satisfied to be mediocre-plus. The quotes may help you not to quit and not to be mediocre. A creator must learn to persist, and then persist more, persisting if need be beyond what seems human capability.

Painting in blue shades

Waterborn by Karin Goeppert

Naturally much is made of a creator’s talent. Thomas Wolfe said about the need to put your talent to use: “If a man has talent and can’t use it, he’s failed. If he uses only half of it, he has partly failed. If he uses the whole of it, he has succeeded, and won a satisfaction and triumph few men ever know.” Almost all people believe that talent is the reason for creative success. But persistence–the art of refusing to give up–may be more vital to a creator’s success than talent. Teachers of the arts often state that the students who will fare best in creative life are not the most gifted but the students who are the most determined to succeed. If they are persistent, less talented writers may have more works published and make more money than the more talented. The same is true of painters. American Jack London received 600 rejections before his first short story was published. He was not considered one of the great writers, but after the publication of that first story he became the most popular writer in the world within one year.

Enlightened creators are confident of themselves and possess what I call “inner skills” that not every creator possesses, returning again and again tirelessly, almost maniacally, to their work. They overcome sometimes enormous obstacles and difficulties that would deter less powerfully persistent people. Painter Pierre-August Renoir’s hands were crippled and rendered useless by severe rheumatoid arthritis and he was unable to paint with them late in his career. But with a strong will he produced some of his greatest works after that lying on his back, painting with the brush between his toes. Even without such extreme obstacles, creative work can be exceedingly difficult. When creative work “goes painfully, when it’s hideously difficult, and one feels real despair (ah, the despair, silly as it is, is real!)–then naturally one ought to continue with the work; it would be cowardly to retreat” (Joyce Carol Oates).

If you are a creator with talent and persistence both, your prospects of success are excellent.

Intensity

Orange flowers on green background

Floris Mit Rahmen by Karin Goeppert

Intense people are growing rare in this era. Something is weakening people. But creative people are different.  They tend to live intensely, and have strong beliefs about their creative pursuits: “It is through art and through art only, that we realize our perfection; through art and art only that we can shield ourselves from the sordid perils of actual existence” (Oscar Wilde). That intensity of their emotions and sensitivities is a necessary part of their make-up. They think, feel, and imagine intensely. They are often overstimulated, and at any moment may be flooded with mystical waves of rapture and joy with a sense that every cell of their body is incredibly alive.  “So far as the artist is concerned, the unlimited extent of human experience is not so important for him as the depth and intensity with which he experiences things” (Thomas Wolfe). “It is evident that a faith in their vocation, mystical in intensity, sustains poets. There can really be no greater faith than the confidence that one is doing one’s utmost to fulfill one’s high vocation” (Stephen Spender). The creator has to learn to harness that intensity and aim it to producing quality works.

Creators must have a hunger to experience, to feel deeply, to know, to self-disclose, sharing what they have learned, felt, seen, and heard with anyone who is interested.  “The meaningful difference intellectually between one painter or writer or one actor or director and another is simply the number of things they are intrigued by in a square yard of their experience and the urgency of their hunger to express them”(David J. Rogers).

Risk-Taking

Purple flowers on white background

Nothing Ever Stops by Karin Goeppert

Creative works do not come cheap. In order to produce them, creative people, once as ordinary as dishwater, must reshape themselves and not be afraid to branch out into the insecure, the anxious, and the unknown, risking, daring. For the creator risk-taking is not fool-hardiness. It is essential. On what is a memorable creator’s life based if not taking chances because life is short, time is fleeting, and an art that burns inside the artist must be expressed or it will extinguish into nothing. Can you feel it: that hunch igniting your spirit that there is a passion there that has appeared in your writer’s, painter’s, or composer’s life that must be pursued to its conclusion no matter the cost to your time, personal life, or peace of mind? Picasso said that “one must act in painting, as in life, directly.”

Identifying Creativity

How can you tell if you are creative? The pursuit of ways to identify creative people has led to scores of tests. But it has not been possible to demonstrate that creativity tests are valid. “High scores on a creativity test do not signal that one is necessarily creative in one’s actual vocation or avocation: (Howard Gardner). The answer is in the work: Is it original? Does it have a use? Do your artistic peers and the public agree that it is creative? If so, it is creative and having produced it, so are you.

Life of Creators

Ferns and leaves on white on green background

Hasenheide by Karin Goeppert

Generally, creators’ childhoods have more impact on their creativity than any other period of their lives. “Early in life, the creator generally discovers an area or object of interest that is consuming(Howard Gardner). Author John Updike said that nothing that happens to you after the age of twenty is worth writing about.  If you knew in childhood what you loved doing and were relatively sure what you would be when you grew up, you were more likely than most people to be creative as an adult.

The creator’s life, being hard, is not suited to everyone. To succeed you have to be an exception from the norm. To become highly skilled in creative works takes many years of hard work that only a minority of people are equipped for. “The sheer labor of preparing technically for creative work, consciously acquiring the requisite knowledge of a medium and skill in its use, is extensive and arduous even to repel many from achievement” (Brewster Ghiselin). “Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon one can never resist or understand” (George Orwell).

To live the life of an artist appeals to millions of people, many envious of artists who they think lead “glamorous, exciting” lives. But that life is especially difficult in ways that other lives are not. “The artist’s life cannot be otherwise than full of conflicts…There are hardly any exceptions to the rule that a person must pay dearly for the divine gift of the creative fire” (Carl Gustave Jung).

To accomplish something noteworthy in art requires that you sacrifice at least one other important activity, person, or goal. The hard and fast rule is: to get, you must give up. “A special ability means a heavy expenditure of energy in a particular direction, with a consequent drain from some other side of life” (Carl Gustav Jung). The artist must take time and think very carefully and decide what he/she is willing to give up. What shall it be–this or that?

Influences on Creative Output

Red buds on branches on blue background

Harbinger by Karin Goeppert

Memory is the most significant key to the creator’s gifts. “The poet above all else is a person who never forgets certain sense impressions which he has experienced and which he can re-live again and again as though with all their original freshness…There is nothing we imagine which we do not already know… And our ability to imagine is our ability to remember what we have already experienced and to apply it to some different situation” (Stephen Spender). All creators in any of the arts and sciences possess this kind of memory.

Creative works are the products of the whole person: intelligence and courage, talents and commitments, and unceasing energy: “It is not what the artist does that counts, but what he is…What interests me is the uneasiness of Cezanne, the real teaching of Cezanne, the torment of van Gogh, that is to say the drama of the man” (Pablo Picasso). “I don’t care who the artist is, if you study him deeply, sincerely, detachedly, you will find that he and his work are one” (Henry Miller).

Creative Vision

Many artistic creations are a result of the creator playing with new possibilities that disregard and shatter society’s sometimes restrictive rules of decorum, conformity, and political correctness. Doing that may lead to a kind of liberation: Novelist Henry Miller wrote, “The world would only begin to get something of value from me the moment I stopped being a serious member of society and became…myself.”

The creator must never sacrifice his or her own vision, or water it down for the sake of acceptance,  whatever the opposition to it or how out of the ordinary it may be, and must never be intimidated by anyone, or live in fear of anything for even a moment.

leaves and flowers reflected on aqua water

Beneath the Surface by Karin Goeppert

The artist whose beautiful work is featured in this post is Karin Goeppert (www.karingoeppert.com). She says, “Life is a largely subjective experience; but that subjective experience is my bridge to the objective world. And it’s this synthesis of the two that I am trying to capture.” She says of her inspiration and process: “I love experimenting and want to give my works an individual expression. Most of my works are abstracted from nature but I also do non-objective paintings. I am inspired by the beauty and power of natural phenomena, the mystery of nature, its colors and forms. Every painting is a one-of-a-kind work in which I try to combine feeling and thought.”

 

© 2018 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

http://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

 

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

Fighting to win Amazon

Click on book image to order from Amazon.com

or

http://www.barnesandnoble.com/w/fighting-to-win-samurai-techniques-for-your-work-and-life-david-rogers/1119303640?ean=2940149174379

Order Waging Business Warfare: Lessons From the Military Masters in Achieving Competitive Superiority

Waging Business Warfare812sCY9edLL._SL1500_

Click on book image to order from Amazon.com

or

http://www.barnesandnoble.com/w/waging-business-warfare-lessons-from-the-military-masters-in-achieving-competetive-superiority-revised-edition-david-rogers/1119079991?ean=2940149284030

 

Follow my blog with Bloglovin

 

24 Comments

Filed under Artists, Creativity, Creativity Self-Improvement, Developing Talent, Human Potential and Achievement, Inner Skills, Life of Creators, Memory, Persistence, Quotations