Tag Archives: Writing

Writers and Other Artists and Their Audience: A Very Personal Relationship

IMG_0240_David Pic copyEvery Tuesday or Wednesday I have lunch with a friend, a professor of philosophy, at a deli near my home and everything is fair game for our talks but sports. I am interested in sports, having grown up in Chicago—the slap-happiest sports town in the world. But he grew up somewhere else and thinks a basketball is something you hit with a bat.

A few weeks ago I mentioned that very important to my wife, who teaches writing, is the relationship the author establishes with the reader. I said I agree with her that the personality of the author shines all through the words and that as you read you respond to that personality, and that it accounts for much of the value we find in the work. Just as you make judgments about the work itself, such as to answer the question, “Do I like this and should I continue reading,” you also make judgments about the author such as, “Do I like and respect the person behind the words, and do I want to spend more time with him?” That happens whatever you’re reading—novel, blog, short story, play, poem, email, essay, memo, or letter.

And something similar happens whenever you look at a work of art, or see an actor act, or a dancer dance.

My friend said, “There is no relationship. There is no personality. There are only words.” Then I said, “I was reading a book recently and the information was useful—the author knew what he was talking about– but he was so arrogant and smug and self-satisfied that I couldn’t go on reading. But now James Agee, for example, is to me so likable and gentle and right-minded and has such compassion that I always enjoy his company.”

And then I thought: There are millions of people on earth who consider themselves serious writers, and many millions more who are engaged in other arts, and to whom the relationship between themselves and their audience has to be a major concern (2.5 million people in the U.S. alone consider themselves artists); so it would be worthwhile to give that relationship the attention it deserves.

The True Center

The true center of our experience with any kind of narrative writing in any language on earth is the sense that someone with a mind, a personality, and a background of experience is talking to us. That sense accounts—if it is favorable– for much of the pleasure we derive from reading, and it is that sense that a good writer will develop in the reader, consciously or not. What a writer is intellectually, spiritually, and emotionally radiates in the work and can’t be hidden from the discriminating reader.

Herman Melville said, “No man can read a fine author, and relish him to his very bones, while he reads, without subsequently“ forming “some ideal image of the man and his mind. And if you look…you’ll find the author has furnished you with his own picture.” Literary critic Georges Poulet wrote, “ (As I read) “I am aware of a rational being, of a consciousness, the consciousness of another opens to me, welcomes me, lets me deep inside itself, and even allows me, with unheard of license, to think what it thinks and feel what it feels. I am thinking the thought of another, but I am thinking it as my very own.”

Energy, Sincerity, and Other Qualities

The author’s qualities we connect with are those we respond to in any person we meet face to face. They include humor, energy, vitality, seriousness, playfulness, friendliness, originality, boldness, glibness, sensitivity, sensuality, elegance, flexibility of mind, intelligence, tenderness, objectivity, flippancy, etc. We become aware of the author’s interests, preoccupations, even obsessions, and how involved the author is in the subject, including her attitude toward her characters. Even the most objective and dispassionate writing, as in the short stories of Chekov, the master of understatement, conveys the personality of the author—his control and self-restraint.

We make judgments about the degree of ability the author has, and say, “That man is so skilled that he can do anything he wants with language. He’s so self-confident that he breaks the rules whenever he wants. He has courage; he takes chances.” We look at a great actor performing or Baryshnikov leaping and we say “Their skill is breathtaking; they are very disciplined and have worked hard to develop themselves.” It’s been said that painter and tortured genius Jackson Pollock had no natural talent. He was always aware that he was an artist that could not draw. But the guts he had appears in his every work, and in painting his groundbreaking way he changed the course of western art and the definition of what we mean by art.

A Distinctive Style

The first quality we notice about a master, or a truly excellent writer—or painter, or dancer, or actor, or any other artist– is a distinctive style. All great artists are concerned not only with communicating their vision and expressing their talent, but are preoccupied with the most effective way to do that. And style, which is anything but a minor afterthought, is the artist’s signature and as individual and as much a part of the writer’s, sculptor’s, actor’s, or architect’s, etc., personality and life experience as DNA. There was only one Marlon Brando and only one Frank Lloyd Wright.

Possibly the first requirement of a good style for a writer is the ability to put the reader into what is being written about and the writer’s presence right away, from the very beginning, and all the way through the work. Using a first-person “I” voice as in Hemingway’s autobiographical novel The Sun Also Rises invites the reader to share in the writer’s and narrator’s thoughts, feelings, and experiences, and can be tremendously effective. With the second person “you” the writer is addressing the reader directly, and that too, can have a strong effect.

How We Want To Be Treated

There is a sharp difference between authors who treat us as essentially their equals and those that (like political candidates) imply we’re their inferiors. That author I couldn’t stand and couldn’t go on reading had no respect for the reader. He had no concept of the fundamental truths that artists must have an understanding of their audience and what will please them, excite them, and hold their attention, and what will “lose” them, including the author’s own personality. Authors we have friendships with are those who share interests with us and respect us, never underestimating us, never talking down to us.

The Author’s Mind; the Artist’s Mind

We respond very much to the author’s mind in action, and whether we’ll go on reading or not and how attentive or respectful we’ll be depends on how interesting and stimulating we find that mind. I was reading a true story about a man who was having trouble getting to sleep, and his mind was so active trying to figure out how to do that that I just sat back and laughed and marveled at his ingenuity. We are involved with the author’s mind from the first word, and the skilled author will let you know immediately that his mind is active and sharp. Even a nice metaphor or a perfect sentence or clear writing give us the reality of entering the author’s mind.

We could just as easily be talking about the painter’s mind, or the ballet dancer’s mind, or the movie director’s mind. Whatever the art, the audience responds to that mind one way if it is interesting and another if it’s not.

Intimacy and Integrity

The particularly effective writer—the particularly effective artist of any kind—will develop a relationship that goes beyond liking and beyond friendship to intimacy, and that comes from above all else the sincerity we find in the work. Sincerity is what I sense in Agee, for example. Anyone who can write so beautifully and so sensitively, honestly, and intensely must be trying to communicate to me something that he cares deeply about. The intimate writer invites us in to his inner life and says “Here I am.” I sense utmost sincerity too in Whitman’s “Crossing Brooklyn Ferry”—a poem in which the writer actually speaks to the reader and tells us that as he is writing the poem he is thinking about us. And I find it in all the work of van Gogh, and some blogs I read. The artist is sincerely trying to connect with me and communicate something directly to me as well as he or she is able, and I respond.

Good writing has integrity—our being whole and authentic with no division between who we are and what we write, or paint, or how we perform on stage. We guarantee that we aren’t faking, or deceiving, or compromising. Hemingway referred to integrity as the built-in “bullshit detector” that every real artist possesses.

No Place to Hide

It is futile to think we can hide ourselves from an audience for very long or fool it into believing we’re something we’re not. The voice that comes through is not something that is imposed artificially from the outside, but is the genuine, the authentic, the true, the real person. Even when we write about a character that is nothing like us, the person we are—with our history and our points of view and our opinions comes through clearly. The very images we use and the very vocabulary tell a great deal about us.

Addition by Subtraction

An authentic voice is not achieved by adding something, but by the opposite process—by subtracting what is pretentious or not genuine. Every artist is unique and different from every other. There are no duplicates. But whatever she is like, we are trying to locate her and understand her.

Coming Out of the Shadows

So if we are looking for prescriptions, the first would be: “Whatever your art, come out of the shadows and reveal yourself. Let your true personality permeate all through your work—your sincerity, your honesty, your mind in action, your originality and uniqueness, the ‘I’ who you are–for it is that, above and beyond the other content, that your audience will respond to. Be interesting, be clever, be skilled, be alive, be true, and be authentic.

© 2014 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

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Beware Of Becoming What You Weren’t Supposed To Be: Your Two Destinies

Tailors and Generals

road-220058_640The story goes that a man died and went to heaven. Meeting Saint Peter at the gates, watching the crowds of people passing through, he said, “Saint Peter, I’m curious. Point out to me the greatest general in history.” Saint Peter gazed into the mass of people, spotted the man he was looking for and pointing, said, “There he is, that one over there.” The man was shocked. He said, “That’s not a general. That’s just Harry, a tailor from my old neighborhood.”

Yes,” said Saint Peter, “you’re right, that is Harry the tailor. But had he been a soldier he would have been the greatest general in history.”

My question is, “Why are so many people leading a tailor’s life when they should be generals?”

 The Urge to Grow and Flourish

 In the title of a radio show I was a guest on was the word “destiny,” and I started by saying, “I couldn’t be on a more appropriate show. I’m a strong believer in destiny. Here’s what I mean…”

The word “destiny” has the same root as “destination.” It’s where you’re headed. Your destiny is not a pre-ordained life that you’re forced to lead because it’s been laid out before you in detail by some master planner who has absolute control over you. Your destiny depends more than anything on your own free will and it is as much a part of you as your ear.

Every living thing has an innate urge to grow, to flourish, to realize its full potential. A maple tree “wishes” to become all the maple tree it can be, an ear of corn, an ear of corn, a lilac a lilac, you an actor, to discover, develop, refine, and put to use your full talents in performances before an admiring public, and you, a painter, to see your works adorning walls.

This inner urge–this impulse–pushes all living things to strive to become what they are equipped for and have the potential to become, no matter how harsh or unaccommodating the environment. Composers and musical performers who, like Claude Debussy, grow up in unmusical families, and poets and other geniuses of the language whose parents are illiterate or who themselves quit school at twelve–Mark Twain, who claimed that he never let schooling interfere with his education–and Walt Whitman, one day to make himself through his own efforts, high ambitions, and self-teaching into, rather mysteriously, America’s best and most expressive poet.

Denied water, a tree will send out its roots long distances in search of it. Hidden in shadows, it will twist its branches until they reach sunlight. Some people too, will do whatever’s needed to reach sunlight.

 You Have Two Destinies

You have not one, but two, destinies. One is your INTENDED DESTINY and the other is your ACTUAL DESTINY. Your intended destiny is the life you are fully equipped with the talents, gifts, personality, and intelligence to have. The other, your actual destiny, is what you actually became and the life you’re actually living. You know people who have all that’s necessary to become A, and actually became A. But most people’s intended and actual destinies are different. They should have become A, and wanted to become A, but became B instead.

Gary has all that it takes to become a fine architect, but never finished school and settled for being a draftsman. Erin has musical talent and was intended to write popular songs, but works as a sales clerk in a novelty shop and never gets around to writing. Neither put themselves on the right course, or seeing they were on the wrong course, never took it on themselves to change course. They are intended generals who became actual tailors.

The Ideal Is Very Possible

 You’ve reached the ideal when your intended destiny is your actual destiny. Then you’re converting what you hold the promise of being into what you actually are. If you were equipped to be A, and not B, you would be A. Gary would be designing buildings; Erin would be producing songs.

Deep down you and I know that there is a most suitable life for us, more suitable than any other. We can feel that that it’s a specific life. Even if we don’t yet know exactly what it is we feel it and we spend part of our lives—possibly most of our lives—looking for it. To become clear as to what your intended destiny is and to say to it, “I devote myself to you,” is to feel an unstoppable drive toward its due fulfillment and to spring to life. Once you know you’re moving in the right direction and feel strongly about it you fly through your days aflame with energy and determination. If there are obstacles in your way you overcome them, particularly the fear of taking risks.

There’s a part of you that asks yourself, “Why are you here in life and not there? Account for yourself.” If you never start that novel or never start that business that you are equipped for, your conscience won’t let go. From time to time all your life you’ll think, “I should have written that book,” “I should have my own business” and you’ll feel regret, and you’ll never know what might have happened or what your life would have been like.

 The Need to Finish What You Start

Sometimes what we put aside a long time ago but haven’t forgotten is a clue to our true destiny. Russian psychologist Bluma Zeigarnik’s professor Kurt Lewin noticed that a waiter remembered orders only as long as the order was in the process of being served. When it was served, he forgot about it. From this, Zeigarnik developed the theory that people remember uncompleted or interrupted tasks better than they do completed tasks (now called “The Zeigarnik Effect”). People who suspend their work and get involved in unrelated activities (such as playing games) will remember material better than people who continue working without taking a break.

As applied to a lifetime it means that you will not forget important things you started even long ago, but did not complete—such as that painting in storage in your basement, or the project you intended to get back to, or the degree you started but never got. Not getting back to them causes a tension that brings repeated thoughts of the unfinished business that doesn’t end until the job is finished. It’s human nature to finish what we start and to feel uneasy until we do. As long as the task is uncompleted your mind continues to work on it, and it will not stop pestering you until you finish the task. I have a novel in a nice bright red binder that I started 35 years ago that has been on my mind ever since. What have you not forgotten that may indicate a direction you should follow?

It’s not unusual for people who distinguish themselves and feel fulfilled to discover the direction of achievements they will have later in life foreshadowed by the interests and preoccupations of their childhood. Quite early in life they became interested in an activity that they later pursued seriously, at times to the exclusion of almost everything else, and at times after pursuing other things that diverted them, often going down a fruitless path and coming to a dead end. The deepening of their interest over time became what guided them to their careers and largely determined their success. So, it could be a turning point when you feel yourself drifting away from your true destiny to ask what interested you when you were a child and haven’t forgotten: “When I was little, I liked especially….”

Timing

You may reach your intended destiny by a rapid jump, a quantum leap, even without any hints beforehand. It seems inconceivable that Joseph Conrad, born Jozef Konrad Korzeniowski, a Polish seaman who spent twenty years on ships and never took a writing class and didn’t learn English until he was in his twenties, should suddenly emerge as one of the greatest and most innovative stylists writing not in Polish, but English. He said later than when he started his first novel one day after breakfast, “I had written nothing but letters, and not very many of these. I never made a note of fact, of an impression or of an anecdote in my life.” His emerging full-blown into a master of the language is one of the puzzles of literary history and human development. But it happened.

You can never say that it’s too late to reach your intended destiny, however roundabout your journey to it has been, or however long it’s taken. Having set out in one direction, you are free to turn and set out in another like a fish in a stream that changes direction any time it wishes. When you overcome past mistakes, false starts, and failures and set out for your intended destiny you feel a sense of rightness, of confidence, of being in complete charge. You think, “This—this—finally is what my life was supposed to be.”

Your true destiny may appear at any time: in childhood, adolescence, adulthood, or late adulthood. Many people enter new paths later than others and they “catch up” quickly and often surpass the others. Duke Ellington’s career was undistinguished until he was forty. Authors Tolstoy, Turgenev, and William Faulkner showed little promise in their youth. They did their best work considerably later than others novelists. Paul Gauguin was a successful Parisian stock broker for years before he turned to art and became a great painter.

Jean Paul Sartre wrote that people exist first and only afterwards define themselves. “They are what they will have planned to be. They are what they conceive themselves to be.” A Japanese adage says, “Irrigators guide water, fletchers straighten arrows, carpenters bend wood, and as for wise people, they shape themselves.”

Shaping yourself into the person you conceive yourself to be—that’s what this post is about.

© 2014 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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A Centenarian—Most of the Time

headstone-312540_640I don’t remember ever coming across the ubiquitous Rayburn Stoddard’s name until five years ago last April, but a lot has happened to him since. Although as far as I know I have never met the man, I would certainly like to and have read or heard about him at intervals during the last half-decade in various cities I have visited on business, and now I feel familiar enough with him to call him by his Christian name. Rayburn has witnessed the cavalcade of American history, and in fact, as you’ll see, has been an active and significant part of it. The following is a record of what I currently know about the man. I’m hoping you can add to it.

I have made every effort to assemble as much pertinent information as I am aware of about this extraordinary man and to paint as complete picture of him as I am able. Although I have tried to eliminate any information of a dubious nature, unfortunately I cannot vouch for the veracity of my sources, their being newspaper features and television broadcasts which as you know tend to have a rather cavalier attitude toward factual truth and accuracy and are prone to pilfering stories from one another and then trying to top each other by puffing them up with embellishments so they have a more sensational ring to them. On average, a Rayburn Stoddard story in itself can be counted on to boost ratings or readership by four per cent.

Early that stormy spring evening five years ago, I was in Chicago’s O’Hare Airport browsing through the Chicago Tribune when I saw the following obituary:

Rayburn Stoddard–died peacefully in his sleep in his home in Skokie at the young age of 104. In perfect health at his untimely demise, Mr. Stoddard was seen racing a half block in just three and a half hours the day before on his way to a 7-Eleven for a pack of cigarettes. A bugle prodigy, Mr. Stoddard played that instrument at the inauguration of Warren G. Harding at the age of ten. He fought in many battles and distinguished himself as a tank commander under George S. Patton in World War II and found great enjoyment listening to Jack Benny on the radio some years ago. An amateur historian of note, Mr. Stoddard was awarded the Pulitzer Prize for what is universally considered the definitive biography of George Armstrong Custer called Wake Me Up In Time For The Attack. He is the same man who last winter at a youthful 103 was sighted in his yard tossing a snowball at his shadow.

Why this obituary struck me as remarkable I don’t know. But I had a hunch there was more to this story than meets the eye so I tore the clipping out, put it in my wallet, and boarded a flight to St. Louis. It seemed odd to me at the time that the following day as described in the St. Louis Post-Dispatch Rayburn–now a resident of Missouri–was alive again and had aged three years overnight.

 OLD MAN LAUGHS IT UP

Prize winning author Rayburn Stoddard, formerly of Skokie, Illinois, now a resident of University City in perfect health, celebrated his 107th birthday last night at a party given for him at the Improvisational Comedy Club in downtown St. Louis where he played “You’ve Lost that Loving Feeling” on the bugle and had an audience of well-wishers in stitches with his hilarious “Drunken Plumber on the Moon” comedy routine. Asked to what he attributed his longevity, he replied, “I like throwing snowballs a lot.” Mr. Stoddard fought in many famous WW I battles, and was present at the swearing in of President William McKinley. He fancied listening to The Shadow, a popular radio show some years ago.

Being an experienced business traveler who reads as many newspapers as menus, I was certainly not surprised by the obvious discrepancies between the two reports, although it seemed apparent to me that the man was either alive or dead, and was probably not 104 and 107 both.

In the days to follow those news features would ring a bell, for some months later while lying in bed in a hotel room in Dayton, Ohio I watched a human interest story on the ten o’clock news about this same Rayburn Stoddard–although his name was given as Stoddard Rayburn. He was still alive, but was now a long-time resident of Dayton. More youthful now at 99, he was in robust health, vividly recalled attending the inaugurations of Woodrow Wilson, Abraham Lincoln, and Herbert Hoover, had helped out his Dayton buddies the Wright Brothers at Kitty Hawk, was a winner of the Congressional Medal of Honor and a literary prize, had commanded General George S. Patton in World War II, and spent countless hours running down streets, practicing his bugle, and tossing snowballs. For years he had worked with his friend Jack Benny on the radio and in vaudeville, and was the originator of the role of Lamont Cranston on The Shadow, a popular radio show some years ago, but now held a job at a 7-Eleven where he sold cigarettes.

Business was going well, and frankly, although my curiosity about Rayburn had been piqued, I was too busy to have much time for the media. I temporarily lost track of the man, but could only assume that he was alive and well in twenty-five or thirty other cities my travels would eventually take me to, and that as he approached 110 or 120 or stayed in his nineties or went back to his seventies or eighties I would have the great pleasure of coming across him again, unless, that is, he had passed from this earth again–and it turns out he had–at least temporarily.

I was on the west coast to attend a Laugh-A-Minute-Funny-Business-Sales-Seminar when I saw a feature on the morning Los Angeles news that caught my attention. It began, “Legendary movie producer, historian, musician, aviator, and former vaudevillian Rayburn Stoddard, one-time resident of Dayton, Ohio, died in Hollywood yesterday afternoon at the young age of one hundred and thirteen, and the film industry is in deep mourning. His companion, super-model Cinderella Baudelaire, was at his bedside.” It continued, “This close adviser to many presidents, and the producer of such gems as Gone with the Wind, The Maltese Falcon, Citizen Kane, and Zombies on Broadway was in perfect health at the time of his untimely passing.” The report was quite complete, referring to Rayburn’s renown as a snowball marksman, his having been present at the Little Big Horn with General George Armstrong Custer where he had died valiantly fighting off the Indians with his bugle, his other past deaths, and his famous, “Drunken Plumber on the Moon” comedy routine that he had performed for President Chester A. Arthur and all the crowned heads of Europe.

I was not saddened by the report since I had the feeling Rayburn would spring to life again in the foreseeable future. I was not, however, prepared for his next death which occurred in Virginia approximately a year later and was reported in all the major news services:

 WITNESS TO HISTORY LAID TO REST

Died peacefully in his home in Williamsburg, Virginia on Tuesday last, a youthful 427, Nobel Prize laureate Dr. Stoddard Rayburn (nee Rayburn Stoddard), the lone survivor of the Mayflower crossing. Dr. Rayburn was in perfect health at the time of his unfortunate demise. His mind, a rich storehouse of historical reminiscences, was sharp and clear to the end. After serving as governor of the Bay Colony, Dr. Rayburn next appeared as a delegate to the Continental Congress. As a personal favor to his boyhood chum, Thomas Jefferson, Dr. Rayburn provided leadership to the Lewis and Clark westward expedition. He was particularly handy with the tomahawk, which he invented, and taught that skill along with playing the bugle to the plains Indians. It was while on the Missouri River–which he nicknamed “Big Mo”–that Rayburn developed his side-splitting, “Drunken Plumber on the Moon” comedy routine that was a particular favorite of the Shoshone tribe. Following a stint as a Civil War cavalry major with his West Point roommate George Armstrong Custer,  Rayburn passed away at The Little Big Horn and then emigrated to New York City with his literary mentor Mark Twain at the turn of the twentieth century where he invented the movie projector, refined his proficiency with snowballs, authored the Encyclopedia Britannica, teamed with W.C. Fields in vaudeville’s Ziegfeld Follies, and like millions before and since disappeared into oblivion. When it was pointed out to him that he had lived a remarkably long life, Dr. Rayburn replied, “Methuselah was older.”

I was surprised that Rayburn had aged from 113 to 427 in a matter of months, and at first had doubts that such a feat was possible. 427 years old! How could a person possibly live to 427? But then it struck me that he would have to have been approximately 400 or he could not have arrived on the Mayflower, so I concluded that here was one newspaper report that was accurate.

Months of hard work passed and I lost track of Rayburn. Then while stopping for a cup of coffee at a diner in Cambridge, Massachusetts I saw in a Boston Globe article entitled “Celebrated Patriot Returns,” that this “well-traveled former super model, famed movie producer, historian, comedian, airplane pilot, and one-time resident of Skokie, Illinois, University City, Missouri, Dayton, Ohio, Beverly Hills, California, and the Bay Colony” had sprung to life again. He was in perfect health, this existence residing in a boarding house in East Patchogue, New York, but had been in town the day before to commemorate the Boston Tea Party which he had engineered and led. He was now a robust and more reasonable 275, having decreased in age by 150 years since his untimely Jamestown death. At the Boston commemorative ceremony he reportedly talked about his experiences with drunken plumbers and sang “You’ve Lost that Loving Feeling.” with the Righteous Brothers. He carried a tomahawk for the event and was dressed in the authentic Indian garb which he had worn in the raid of the colonists on the British tea ship, and which had hung in his closet in mothballs for more than two centuries.

The last I heard of Rayburn was a feature on Topeka, Kansas TV where it was stated that “a young 122 and in perfect health, this founder of the 7-Eleven convenience store empire” had left this life in a suburb of Kansas City, where he had long resided after relocating there from Skokie, Illinois where he worked as a plumber. He had also passed away three months earlier in Waco, Texas at a youthful 97 while in perfect health and on location producing a documentary film about the Lewis and Clark westward expedition. But judging from his history I am confident that Rayburn has not left this life permanently and irrevocably, but will reappear between the ages of 90 and 500 in some American city in the near future. All that we can say for certain is that we have seen the last of Mr. Rayburn Stoddard–Stoddard Rayburn–until he turns up again.

If you or a family member or acquaintance have news of other lives and deaths of this elusive man I would appreciate you contacting me care of this blog. I’m hopeful that in that way, working together, with contributors from across the globe, eventually we will be able to piece together a satisfying and complete biography of the man. I am particularly interested in learning about Rayburn’s first nine years on earth, about which at present I know zilch. And frankly I have my doubts that throwing snowballs increases longevity, although that’s what the man said. And who should know better than Rayburn?

© 2014 David J. Rogers

 

 

 

 

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Days and Nights of Youth: An evening in August, years ago

“And if I were standing in the middle of my people
Age would go from me and I would be young again.”
(Translated from the Irish by Lady Gregory)

Days and Nights pic_copyChicago’s Sheridan Road ran parallel to Lake Michigan, as it does today, and when you walked down it in those days you heard the sounds of the traffic mingling with the lapping of the waves on the beaches. From the beaches on clear days you could see on the horizon’s edge the western shore of Michigan to the east, and out on the lake low in the water turgidly-moving barges carrying loads of ore down from Minnesota to the steel mills of northern Indiana.

On certain afternoons in July and August the sun bore down on the sand so intensely that it was painful to walk on it, so men dashed to and from the tumbling waves carrying their squealing little children in their arms. One by one all the great industrialists’ mansions that lined the street were torn down and the beaches were filled in and replaced by closely-packed massive and towering apartment buildings with hundreds of verandas which were far more impressive architecturally, but far less beautiful.

Few people remember the mansions or the beaches, but most believe that the high-rises have stood there forever. Now when you walk down Sheridan Road, the traffic is so heavy and the water so far away behind the buildings that you can no longer hear the waves.

Three blocks to the west was Edgewater, a miniscule street slung like a hammock between a quiet street to the east and a busy street to the west. There I lived quite happily in a moderately dilapidated apartment which I shared with my parents, two sisters, one brother, two blue parakeets, and a dog.

Along the street stood nearly identical sturdy brown brick two and three-flats with large, clean lace-curtained windows in the front and small open porticos decorated with terra cotta flower pots of various sizes. Inside the apartments the ceilings were high and the rooms were laid out more or less the same as ours. Those buildings were interspersed with squat, frail but fearless homes of families of two, five, or eight children and were concealed from the late morning or afternoon sun by tall trees. In the back yards and on the front lawns stood shady poplars and towering American elms whose profusion of leaves, singed and curled by the blistering summer sun, hung parched and brittle, and shook like tinsel when the leaves fluttered in the wind.

The morning sun revealed rectangular lawns that, except when snow obscured them, were always closely cropped and tidily trimmed as though meticulous angels appeared every night to care for them. The hedges that hid modestly in the shadows were as neatly shorn as boys’ fresh haircuts, and the flowers in the beds were tall and brightly-colored. In late autumn the brilliant orange, crimson, and yellow leaves that had been liberated from the trees by westerly winds scampered wildly, crisply, and noisily along the pavement and adorned the lawns like jewels.

On no particular schedule—or none we were aware of—from down the alley emerged the gray rag man sitting high atop a complaining horse-drawn, creaking wagon, his voice preceding him as he called “Rags, old iron.” As the wagon neared, you heard, faintly at first, and then more purely, the rhythmic, hollow clomp, clomp, clomp, clomp of the shod hooves of the old gray horse whose head hung low and swayed slowly to the rhythm of its gait. Then you heard it snort as it struggled futilely with its bit, and saw its huge protruding brown eyes glazed with an expression of weariness and sorrow, and the sunlight shimmering off the sweat that coated its flanks.

In the early evenings as though all in unison, the regiments of gray, strong, working men, pensive, plain, godly men—the fathers—passed down the street in orderly array, returning to those of us whose entire universe extended no further than the ends of that block. After dinner when the weather was good the fathers–some in gaudy suspenders, to a man seeking peace–left their families and went alone outside in the yard to smoke. The glowing tips of their cigarettes or bowls of their pipes hovered like red ornaments suspended from invisible strings in the darkness. The men nodded cordially to one another, but only rarely went to their fences to speak.

They stood stationary and solitary in the middle of the yard gazing up at the dazzling field of glinting stars, being reminded of their own inadequacy, their own insignificance, feeling in themselves the overwhelming rapture and wonderment of being alive on this earth on this night that they would try to convey to another person, but would forever be unable to. After a little they shredded their cigarettes or tapped out their pipes on the soles of their shoes and watched the tiny embers drift to the ground. Then they went back inside where the light was bright and the rooms were noisy with happy children.

On especially sweltering summer nights one by one my family evacuated the stifling apartment and sat together in a little cluster on the wooden front stairs. There every summer evening without exception I fell under the spell of our little street. I watched the flight of night hawks circling high above chimneys and sweeping down like kites. My eyes settled too on the entwined strands of ivy on the trellis next door, on the blinking traffic lights and long beams of headlights spread like cream on Ridge Avenue, the yellow-glowing lamp lights in the windows of neighbors, and the demented boy who rode the street at nights with his little dog in a paper bag in the basket of his bicycle. And if our luck was good, down the street came what we were all wishing for: a breeze. Then the multitude of closely assembled leaves trembled on the trees that were tinged with moonlight.

The six of us were frugal with words on those evenings, parceling them out sparingly, as though they were precious things that needed protecting. When we spoke among ourselves it was not of topics momentous or memorable. Serious subjects were best saved for visits to our stairs of my father’s family–Welsh of course, with musical accents and exotic names, all of them worldly enough to speak on most any subject with some professed expertise. They always came bearing a vast stock of stories and bits of song and strong opinions that differed markedly from one another and were bickered over turbulently, but in a generally agreeable and forgiving manner. Sometimes too, other visitors came to sit with us.

Whenever anyone on those stairs spoke, I listened intently to the words, the silences, and the breaking of the silence, the short sentences and the longer, the soliloquies, the jokes, comments, stories, exaggerations and wild tales of utterly impossible events that there was an unspoken agreement to play along with but not for a minute believe. Sometimes I understood what was being discussed or commented on or observed, but often I did not. When I did not, my attention drifted and the words dissolved into a hum and became merely sounds.

Then I thought that perhaps when I was older and my time had come I would understand everything or most everything of which these people spoke, that meanings to which I, as a little child, was not privy, would then become clear to me, and I too would be able to speak fervently of them. At times the words the adults uttered came accompanied by a gravity or sadness that frightened me—talk of war and defeats and death and deepest sorrows. But soon someone usually said something that brought laughter all around, and I laughed with them, not knowing what brought them that flash of joy. But I shared in it, knowing that it was good and that when they were happy I was happy.

Too soon the deepest darkness arrived–imperceptibly, as if we had been inattentive and without our knowing it had descended stealthily from its source or risen from the earth to wrap itself around us. Street lights, old and sunken into the ground and standing precariously like drunken sentinels wearing metal caps, then lit and cast yellow cones all down the street. Swarms of flitting fireflies carrying their little lanterns behind them appeared and hovered like tiny intermittent airborne embers that speckled the night like the amber tips of matches. Once aloft on their nocturnal flight like winged magnets the fireflies drew their tormentors–my brother and other giddy children and me. Powerless against our quick hands, soon they were assembled like congregants in a glass jar which glowed like a church in the night.

 

The twilight sinks and the evening wanes and the intense heat cools and the street becomes warm and peaceful. Soon from our visitors emerge the end-of-evening yawns and “oh-my-goodness-how-time-flies,” and they pack up and leave for home. We say goodbye and they are gone. My family is alone now, all of us speaking in drowsy tones. We hear the nightly chants of the sleepless crickets from under the porch and in the hedges and see neighbors hurrying home. It is the end of this day.

My mother flutters her fingers and says, “Well, it’s getting late” with a sigh that conveys that she is weary, and my father says, “Now heed your mother children.” While still able to, I cast one last long look at the people who share this place with me. Somehow out of God’s grace and for reasons I will never fathom, they have been sent to dwell in this house for a time and to be the objects of my love forever. We children moan as pathetically as we can to be granted a few minutes more of wakefulness, but despite our protests we are ushered inside.

I lift the window shade slightly and see, overhead, a splinter of a moon and protective stars attending us. There with me in that bedroom is my brother sleeping, and there are my sisters sleeping. I am sheltered there in that sanctuary of my youth, safe in the protective hands of my parents and the Lord. My life will never be as free of complications and contradictions as then. There is no need yet to try to muddle through a life I do not fully understand.

It is now a time of resplendent picnics and sunny beaches, a blessed period of my life when pain is a stranger to me and I am immune from suffering. I lie remembering the day as I will remember it forever–a blistering journey to the cool of evening. And trying to peer forward into time and see how I will be as a man, I wonder what this life holds in store for me and if I will live mine creditably enough. I study my hand suspended in air like a gray and familiar bird. I whisper, “That is me, me,” and with that thought something stirs deeply in me that all my life will be inexpressible. And then I make a wish that things will never change, but will stay as they are forever.

 I am told that my mother and father are deathless, my brother and sisters are deathless, and that I am deathless too; that there really is no death and we endure everlastingly and that time is an illusion. But I know that my life as it is now will end. I know that we in my family are seeds that will be cast on separate earths, that we will be drawn apart to live our lives there to the end. And that too soon those people I intend well toward will pass away and leave no trace but in my memory. That the day will come when I will never again sit on those stairs with my beloved family on an evening in the heat of summer.

After a while the faint sounds of spoons against coffee cups and the low drone of speech floating from the kitchen cease and my parents go to bed. Of my family I think in my child’s way–they are all of them–each of them–good people, devoid of malice, and I am blessed to be among them. Why, I wonder, have I been so favored? “Dear Lord, keep these people safe, and please treat them kindly. Spare us please from pain or so apportion it so that none of us is asked to bear more than one should be required to.”

Silently I pray, as always fast, “God bless Mom and Dad and…” and I fall to sleep beseeching God. The day ends then, and I dream, and in a moment another dawn breaks.

© 2014 David J. Rogers

 

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Part II, Expectations and Success

A Persistent Author with High Expectations

man-73318_150(1)I know an author who wrote a book that he thought had the potential to be published and sell well. His expectations high, he contacted any number of literary agents and not one was interested in handling his book, telling him that it would be impossible for it to find a public. It just didn’t have that—that whatever it takes for people to want to buy a book.

He did not give up after he had exhausted his long list of agents, but contacted publisher after publisher himself, calling them up, making appointments, pitching the book in their offices, expecting all the time that eventually he would succeed. He met nothing but failure, but still believed in his book and expected it to be published one day.

Then an editor of a small publisher called him to come down and talk. When my friend entered the office his manuscript was spread out on the editor’s desk and the editor was bent over it, reading it. The editor said, “Oh, good, you’re here” and looked up at him with a smile on his face and said, “Your book is going to be the number one best seller in the country.”

That book that he was told by experts could not possibly find a public became a publishing phenomenon and sold an astonishing twenty-five million copies in paperback alone. It became the number one best seller in the world.

Now what would have happened if my friend’s expectations of success had not been strong enough to sustain him through the many disappointments and discouragement, not powerful enough to make him persist?

The book would not have been published.

He would not have become famous. He would not have become rich.

 The Impact of Your Expectations

In Part I of this three-part article on expectations of success, we dealt with expectations as they affected any type of performance.

Persuasive people expect to be persuasive. That’s one of the major differences between them and people who are not persuasive. Talk show hosts expect to be interesting, good writers expect to write skillfully, the best students expect to get an A, effective executives expect to manage well, and the best comedians expect to be funny.

There is hardly an aspect of your life that is not affected by your expectations.

People who expect to live a satisfying life are healthier, report fewer physical symptoms, have a greater sense of well-being, and are more successful and happier. They feel less stress than people who expect the worst.

People with high positive expectations are resilient because of their expectations. They overcome obstacles and aren’t deterred. They expect to be able to handle difficulties and to succeed in spite of them. When setting a goal they consider the probability of success rather than the probability of failure. “The chances are good I’ll succeed. I can accomplish this if I work hard enough.” “This is going to work out really well for me, and I’m going to be happy.” Failure-motivated people have the opposite expectations: “I’ll never be able to do it. I’ll give it a try, but it probably won’t work out.”

 Artists’ Lives

Artists generally are “intrinsically” motivated. That is, they are motivated to persevere–often working hard, toiling long hours, and sacrificing–by the creative side, the work itself. But they often abhor the business side—the “sales” side–particularly because that’s the side that often involves their work being rejected.

When they are working at their craft, they experience an underlying expectation of success that goes unchallenged. But then they shift to the selling of their work in the marketplace, and after enduring repeated rejections—twenty, thirty, forty, or a hundred–all but those with the strongest and most powerful optimistic expectations lose their confidence and may begin to expect future failure. They may stop submitting the work, sometimes even resigning from an artist’s life, giving it up or doing it no longer as a profession, but as a hobby. I’m sure there have been many potentially superb artists who lost the expectation of eventual success and simply quit.

 Social Relationships

I have a friend John I marvel at. He has a wonderful social manner; he has that knack for making friends. He never expects anything but that he is going to like the person he is talking to, and everyone likes him. It’s something to behold.

It is often through our relationships that we reach a richer, fuller life, and our expectations directly affect the quality of those relationships. It makes not one iota of difference if the other person is a total stranger at a party, a new manager of your department, a sales prospect, or two thousand people sitting in an auditorium to hear you speak–if you expect them to like you and you behave accordingly, you will be proven right in almost every instance.

That’s true even if the other person has a reputation for being hard to get along with or the audience is a tough one. But if your expectations are the opposite, they work against you just as powerfully. If you expect a person not to like you and you behave as if that’s the case, you’ll be proven right in almost every instance, even if the person has the reputation of being very friendly and easy to get along with.

Human Motivation

The primary factor in human motivation is the self-perception of highly motivated people that they are doing well. Past success leads to self-confidence and higher expectations, higher motivation, greater persistence, and the drive to do even better. But of course the same holds true for expectations of failure. Expect to fail, fail, expect to fail the next time, fail, and on and on.

 

Let’s say you’re given an assignment at work. If you expect to do well you will work harder and increase your chances of actually doing well. Then, having done well will increase your expectations of doing well the next time. And those favorable expectations, in turn, will increase your chances of doing well again, and on it will go–high expectation-high performance, high expectation-high performance, etc.

 Expectations of Others

We hold expectations of others, and they hold expectations of us. And their expectations of us affect whether or not we succeed. Many a person is being lifted to the heights of that better life on the encouraging expectations of people around him or her, and just as many are being kept from a better life by the low expectations of others.

Parents of highly-motivated people have been shown to have a distinctive style of child-rearing. They are warm, nurturing, physically affectionate, and have high but reasonable expectations of their children. Managers of high-productivity units tend to have higher expectations of their personnel and set higher goals than managers of less productive units–and their personnel tend to live up or down to those expectations, as the case may be.

Parents’ expectations of their children’s success in math have proven to be more accurate predictors of actual performance than aptitude tests. The tests say the children shouldn’t do well, but the parents say they will, and they do. But the reverse is also true. Tests show that they have the aptitude and should do well, but if the parents expect them not to, they tend not to.

Importance in Any Walk of Life

To be successful in any demanding walk of life–and in life generally–requires a common cluster of essential attributes: intelligence, enthusiasm, drive, commitment, persistence, hard work. And high expectations

 If You Really Know It You Can Do It

In the next post–Part III Expectations and Success—we’ll look at turning factual information we have been discussing into prescriptions for action. And action, after all, is the whole idea.

© 2014 David J. Rogers

 

 

The Author

 David J Rogers is the published author of non-fiction, fiction, and poetry. His current eBooks are Fighting to Win: Samurai Techniques for Your Work and Life, and Waging Business Warfare: Lessons from the Military Masters in Achieving Competitive Superiority.

The former has been called the best self-improvement motivational book ever written. The latter has been called “a business masterpiece.”

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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Order Waging Business Warfare: Lessons From the Military Masters in Achieving Competitive Superiority

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First Crisis, Then Recovery

Man sitting on a bench looking at the waterWhen crossing marshes, your only concern should be to get over them quickly, without delay”.                                 (Sonshi/Sun Tzu)

I was cheated out of a great deal of money in business by people I had trusted.

I had worked hard an entire year on a handshake, and now I had nothing to show for it. I had a wife and four children to support, and now there was no money with which to pay the bills. Devastated, I quickly fell into a depression; it was almost impossible for me to get up in the morning and I couldn’t sleep at night. I had not only lost the money, I had lost my faith in mankind. Is man’s greed so complete and is he so hopelessly selfish and that he will take the food out of another man’s mouth? I could not fathom such cruelty.

In that dark mood those dreary days, I could not make myself spend time with the family I love so much, didn’t feel like seeing friends, didn’t feel like leaving the house at all, didn’t want to talk, didn’t want to walk my dear dog, didn’t want to water my plants, didn’t  feel like getting dressed.

I am a reader, so one day I left the house and went searching for a book that would help me resurrect my damaged spirit and get me back on my feet and fully functioning again. All my life I have had what I call my “Research Angel”–some unknown factor that I trust to guide me to the solutions to my problems. When I need something, my Research Angel takes me to it.

I went downtown to a book store where I had once been a sales clerk and walked around from floor to floor, looking at book covers, reading titles, and thumbing through book after book until I found one that seemed almost to glow with a bright light there on the shelf. I picked it up and it seems to me now that simply holding it was the start of a new energy, a new focus, a new purpose.

I bought it, took it home, went upstairs to my office, turned on the desk light, and read it. Immediately I knew that book would lead me to writing the book I had been dreaming of writing for some time but could not clearly conceptualize in my mind–and it was.

I have written about how my sister Sharon’s death fueled my purpose and made me indefatigable until I had achieved it.

I wrote my book–Fighting to Win–and it changed everything about my life. After its success a major publisher told me, “We will give you a contract to write your next book.”

I asked, “What do you want me to write about?” and I heard the words every author dreams of hearing: “Write about anything you want to write about.”

And so I wrote another book that became popular: Waging Business Warfare.

That led to public speaking engagements in North America and Europe–and the realization that standing at a podium speaking to a thousand people or two or three thousand or five had been my destiny–shinjin in Japanese–the real me, the true person.

So you see, if I hadn’t been cheated by unscrupulous men I might never have gotten on the path that I was designed to follow all along.

The Research Angel

I think many people have discovered during their lives—particularly when going through tough, discouraging times–that they too have a Research Angel, whatever they call it.  A Research Angel is, I think, a powerful and undeniable intuition, a kind of unshakable knowing what’s best for you–most healthy for you–that comes from within, and an internal compass leading you over, around, or through obstacles, and out of difficulty. All that’s necessary is to relax and free your mind and have trust in your Research Angel. And to follow where it leads.

Two Questions for You

Do you have some kind of what I call a Research Angel that helps you out of crises? What difficulties has it led you out of? I would love to hear your story.

© 2014 David J. Rogers

 

Please follow this “Starting Your Life Fresh” blog. It will feature topics I think will be of value to you.

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

 

How to Get The Books

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

Fighting to win Amazon

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or

http://www.barnesandnoble.com/w/fighting-to-win-samurai-techniques-for-your-work-and-life-david-rogers/1119303640?ean=2940149174379

 

Order Waging Business Warfare: Lessons From the Military Masters in Achieving Competitive Superiority

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Origins of My Growing Up Stories

 

The Decision to Plumb My Childhood

David in a leather jacket_copy2We set the dead aside as if we have no use for them. But I wanted to pluck my people out of time, to borrow them from eternity for a little while, to explore their worlds and to finally understand them. I had lived among them, knew their every gesture, had heard them speak so many times, and wondered greatly about them. But I didn’t know who they really were.

I longed to walk through the house in which I grew up and to look out on the street and see the wealth of familiar things that were before me every day in my youth, no sights as dear to me as what I saw from the kingdom of my porch.

I hoped to find as they had been, the people who had populated my world–to be among them again, to feel for them tenderness and pity and regret. I knew that time hadn’t disappeared, but had remained inside me. I realized that if I wanted to be with them, though most had died, I would have to discover them in myself where they still lived.

I wanted to see things as they were before my memories faded, or I died; to recapture the enchanted past; to walk the streets and beaches of my youth whose minutest detail I knew I would find waiting for me. I wanted to hold my father’s hand again, to look into his kind eyes. I wanted to revel in everything–the sounds of familiar voices, the smells of night air, the traces of my mother’s dinner in my mouth, the sight of her trying on a hat; my dead sister Sharon coming up the stairs–all from a time that was so happy.

I wanted to reconstruct my life by traveling backwards in time. I hoped to find there the origins of my mistakes, some indications of why I was now a person alone in a house by a field. I wanted my memory to rescue me from this house; to reveal lessons I had forgotten and must learn again that would help sustain me.

And so hour after hour, again and again, I remembered the days and nights of childhood. I remembered what I had experienced myself and what had been told to me. When I came upon something that didn’t make sense to me, and I couldn’t explain, or didn’t remember clearly, or couldn’t possibly know I used my imagination.

At first my remembering was over in a few minutes and was very general. But then I slowed down and remembered in finer and finer detail. Detail is the secret I discovered– details and details of details. Over and over, hour after hour, moving in ever closer, backing up and rethinking until I was satisfied and could say, “Yes, that is how it was when I was young. I have gotten it right.”

I wanted to do this very carefully; to take my time and not be in a hurry. My whole life had been a battle with time, but time doesn’t die absolutely, but remains in memory. The recreation by memory of impressions which later must be transformed is the essence of every work of art.

When my mind was free in time I had the impression that I had entered eternity.

© 2014 David J. Rogers

 

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Filed under Becoming an Artist, Developing Talent, Human Potential and Achievement, Personal Stories

Doubting Yourself/Losing Confidence

Caution sign-44463_640To be a successful samurai required tremendous self-confidence. He/she was taught, “To defeat the enemy who comes leaping at you, your spirit must be perfectly poised.” Such confidence can be learned.

 A very intelligent, very talented woman told me her story one quiet, warm summer evening as we walked along a beach and watched the gulls. Since childhood she had imagined writing novels that she would then see on shelves in book stores and libraries wherever she went. “But,” she said almost apologetically, “that was long ago and I gave that up.” Then she picked up a stone off the sand and tossed it in the lake with a plunk. “Though now and then,” she said wistfully, touching my hand, “I do wonder what might have happened if I hadn’t given up?”

I asked her, “Why did you give up?”

“Oh, I’d heard it was impossible to get a book published—told that I was dreaming. And I didn’t want to spend two years or three years or five years writing long hours, sacrificing, spending less time with my family and friends, only to be told, ‘Sorry, you’re not good enough.’ That would have hurt me very much and I didn’t want to go through that.”

I think there are masterpieces that are never written because the would-be author doubted himself or herself and so, didn’t even attempt to write the book that would have become a masterpiece. They are extremely talented. They are extremely intelligent. Their idea for the book is fantastic. But they doubt themselves and don’t try or give up at the first sign of failure, and so there is not the slightest chance the masterpiece will ever be written

Some years ago I wrote a little how-to book on job-hunting for a client running a job placement agency—really just knocked it off. One day at lunch I was in a bookstore in Chicago’s Loop and thumbed through a few best-selling books on the same subject only to conclude “Mine is better.”

That filled me with confidence, and that’s when I made a decision to actually become what I had wanted to be since the third grade when my teacher, Miss Gross, read a story I’d written to the whole class. She was at the front of the room and had quieted us all down. She read the story, and the story was mine. When she finished she said, “Isn’t that a wonderful story David has written?” It was about a time in a football game when I had been tackled. Miss Gross said that when I wrote, “Then I fell to the ground like a blob of jelly coming out of a jar” that was a simile–that was poetic. “So,” I thought, “I’ve written a simile.” I decided then, that day, that moment, sitting at that desk that I wanted to be an author and I have never wanted to do anything else. From that day on I expected to be an author.

The Dreaded “Who Am I, Little Old Me, To Attempt That”

All you need do is think of your own experiences to know this: People shrink from any effort in which they don’t foresee success. They will do what they believe they are capable of succeeding at and avoid it if they doubt–like our would-be writers of masterpieces doubt–that they will succeed. That’s true even if what they avoid is of major value to them, and even if, were they not to doubt themselves, they could do, and perhaps do quite well.

Self-doubt is a thinking-too-much, cowardice creating problem. It begins the moment that nagging little stress-filled inner voice starts whispering “Maybe I’m not good enough.” “Maybe I’m not ready.” “I wish to hell I was somewhere else.” “I will not succeed.”

Even the most confident people–the Abraham Lincoln’s, the Winston Churchill’s, world-class athletes, great actors–experience periods of severe self-doubt. But they come out of it. They shake it off. They recover.

If you doubt yourself often, your major goals and purposes are in jeopardy because self-doubters don’t set their goals high. They avoid difficult tasks.

Self-doubters may avoid a career in which, were they confident, they might excel.

“Go to the battlefield firmly confident of victory and you will come home with no wounds whatsoever.” Samurai general Kenshin Uyesugi (1530-1578)

In an experiment, adults were given the same ten puzzles to solve. When they were done working on them, half were told they had done well, seven out of ten right, and the other half were told they had done poorly, seven out of ten wrong. In fact what they were told was completely fictitious. Then all were given another ten puzzles to solve, the same for each person. Then their efforts were actually graded. The half who had been told they had done well in the first round and so expected to do well again actually did better in the second, while the other half, with self-doubting expectations, did worse.

 Expect Success

“How should a samurai behave in battle?”

“Go straight ahead, wielding your sword.”

                                                                     14th century advice to a reluctant warrior

 The key to all successes is to be found in your own mind, in what you think. The Dhammapada of Buddhism says, “All you are is the result of what you have thought.” Most of the time the lives we lead are a reflection of our expectations

More than 100 studies of 15,000 people show that those who expect to succeed are happier, healthier, and more successful.

Positive expectation people overcome obstacles/blocks and aren’t deterred. They expect to be able to handle difficulties and to succeed in spite of them. When setting a goal they consider the probability of success rather than the probability of failure. “The chances are good I’ll succeed. I can accomplish this if I work hard enough.” “This is going to work out really well for me, and I’m going to be happy.”

Failure-motivated, self-doubting people have the opposite expectations: “I’ll never be able to do it. I’ll give it a try, but it probably won’t work out.”

So reject self-doubt and choose new and more fruitful expectations.

Form a pact with someone at home and at work. Whenever they hear you doubting yourself, they are to say, “Have confidence. Be of good cheer. You’re a very capable person and never forget that. Think of how good things will be when you succeed.”

Before the job interview or sales presentation or settling down to start that book or that painting, go off by yourself. For every self-doubt you have, fill your mind with five expectations of success, five affirmations of your confidence in yourself. And do that immediately upon thinking, “Who am I, little old me…” And time and time again until it becomes a wonderful habit.

Persevere and Succeed

Do not—do not–avoid difficulty. To reduce self-doubt and gain self-confidence requires experiences of mastering difficulty through perseverance. Now, if you set your sights low and experience only easy successes, you come to expect quick and easy results, and your sense of confidence may be shattered if you do not succeed. But blocks, dragons, difficulties, and setbacks serve a useful purpose. They teach you that success usually requires sustained effort. An author may revise a short story, novel, or essay she finds difficult 75 times before she’s satisfied. A ballet dancer intent on a beautiful performance may practice turning her ankle in a particular way a thousand times.

Once you become convinced that you have what it takes to succeed, you persevere in the face of adversity and quickly rebound from failure.

And once you succeed in achieving one goal you will tend to set higher goals.

You needn’t be victimized by your thoughts, your expectations. They’re under your control. You can choose your expectations as easily as you pick a rose from a bush, and in doing that, you are choosing your success.

© 2014 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

How to Get The Book

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

Fighting to win Amazon

Click on book image to order from Amazon.com

or

http://www.barnesandnoble.com/w/fighting-to-win-samurai-techniques-for-your-work-and-life-david-rogers/1119303640?ean=2940149174379

 

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Developing Talent, Human Potential, and Achievement: Living With a Purpose in Mind

 

My Sister Sharon

At times, it takes a severe blow to waken us our life’s purpose.

My younger sister Sharon died of bone cancer at the age of thirty-seven in a hospital in Honolulu, where she lived. She was a small, delicate woman with the will of a warrior. When a doctor came to see her as she lay in her bed, he jumped back in surprise as though he had been pushed. He said to her, “I feel your power coming out to me.” But she was dying. There was no hope.

Across from the hospital was a tall hotel with tennis courts on the roof. I would stand at the glass doors in Sharon’s hospital room and look straight across at the people in white outfits playing tennis on the green courts in the azure sunlight. I would think of how unfair it was that those players were running, jumping, laughing, swinging their rackets, and were happy while two hundred feet away in that cramped and dark hospital room was my little sister, innocent of any wrongdoing, thin and wasted, unable to stand anymore because the cancer had eaten away the bones in her legs and there were none left to support her, and in pain that was constant and unimaginable. I looked at her. She said, “I’m a mess, aren’t I?” and my heart broke. Once she had been beautiful. I prayed, “Dear God, give me her pain so she will be free of it.”

I told her that I had had writing a book in mind for a long time, but that I was very busy running the business I had started and really had no spare time, and that even if I did write it, it would take years to research and more years to write, and I wasn’t sure it would ever be published, and I had a wife and four children to support and couldn’t afford to take a chance. And I was afraid I would fail. But I didn’t tell her that.

She was in such pain that even the slightest, even the lightest, touch of another person on her was agony. So when I left to fly back home, knowing I would never see her again, I couldn’t kiss her. The pressure of my lips would bring her pain. I leaned over her and rested my head next to hers on the pillow. In my ear she whispered, “Dave, you write that book. I have faith in you.”

I returned home and set to work. No hindrance could stop me. What before had been a vague dream now became a purpose to devote myself to, to write a book, a good book, for my little sister. It became my wife’s purpose and my children’s too. Whenever I was down or discouraged that purpose fueled my resolve and made me return to the work to be done. To work long hours till dawn until the book was done.

I dedicated Fighting to Win to her with the inscription: “In memory of my sister Sharon. Just one word—courage.”

Living for a Purpose

What are we living for, merely to hang around life until we’re eighty-five or ninety, building bird houses and wondering while we sit in traffic why there aren’t as many raisins in the Raisin Bran? Merely to be alive and take up space is nothing special. For many people their own life is unfulfilling. They would rather be living someone else’s life.

The human mind is often perplexed when it doesn’t know which goal it should be pursuing. Its greatest burden is to decide what must be done. But when you discover what you must accomplish with your life and moments in it, uncertainty disappears and there comes something new and extraordinary into your existence. You become inspired and mighty. You’re electric with that rarest of qualities possessed by so few—INTENSITY. You move through life a foot off the ground

Then your every act takes on a power strong enough to bring down a wall of iron. All hesitations and fears fall away. You feel a zest, a tingle. Your imagination is on fire. Tedium disappears. It is strength to be of one mind, complete and undivided, fully drawn to a life with purposes you’ve chosen.

It is never justified to say you can’t find a purpose. Purposes lie all around us like glittering jewels. Make whatever you are doing your purpose of the moment, from the smallest act to the grandest. Give what you’re doing stature, however insignificant it may seem. Then you will have intensity.

For a shy girl to conquer her shyness and go to a party alone is a major purpose. She will need a strong will and great courage. To take a second job for your family is a purpose. To be an attentive parent is a purpose. To start out on a new career is a purpose. To save a rain forest is a purpose.

You cannot be dissatisfied when you’re rising to a purpose which needs you and for which you feel you were brought into the world. Then you are at your best, doing what in your best moments you are capable of. You find your most complete fulfillment while dedicating yourself to a task you believe in.

When you make a purpose out of what a moment before was merely a responsibility, a chore, or a duty by thinking, “This–what I am doing–now is my purpose” extraordinary achievements are possible. Obligations, heavy as stone a moment ago, become light as feathers. Your life becomes tinged with a kind of glory. You become tinged with glory, and there is hardly an obstacle that you can’t overcome, no obstacle out in the world, and no obstacle in you. Then you have both power and direction.

When You Rise in the Morning…

You are never too old and never too young. Some must wait longer than others for their purpose to become clear. But whatever the age, when you rise in the morning think of your purpose: day-dream of it. Devote the day to it.

Our main job is not to dwell on what lies dimly in the future, but to do what is clearly at hand. The only way to reach the future we envision is to pour ourselves totally into this day’s purpose. We find our way to our broad life purposes in daily increments. Each year our purpose is divisible by 365. Purposes need your attention not just once in a while, but every day, and many times during a day. “Today my purpose will be to…” Say to yourself, “Focus on your purpose” five, ten, fifteen times a day. Make those four powerful words a part of your life. They will change it.

In the morning, at lunch, in the afternoon, in the evening, when you brush your teeth and go to bed, focus on your purpose. If you have forgotten, remember and get back on track immediately. Never let a day go by without making progress.

Each day has its own significance, and each has a subsequent impact on your life. Each brings promise and good prospects with it. Every day we choose the directions we will take and what we will be. Every moment of your life diverse possibilities open before you. If you decide to do this today, and act accordingly, you will be A tomorrow. But if you decide to do that, you will be completely different. You will be B. So it is a good idea to decide in advance what you want to be when you wake tomorrow.

That is how you construct a future.

“I learned undeviating steadiness of purpose, and to look at nothing else, not even for a moment.” (Marcus Aurelius, Meditations)

“This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one.” (George Bernard Shaw)

“Take up one idea. Make that one idea your life; think of it; dream of it; live on that one idea. Let the brain, muscles, nerves, every part of your body be full of that idea, and just leave every other idea alone. This is the way to success.” (Vivekenanda, The Complete Works of Vivekenanda)

© 2014 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

www.mentorcoach.com/rogershttp://www.mentorcoach.com/positive-psychology-coaching/interviews/interview-david-j-rogers/

 

How to Get The Book

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

Fighting to win Amazon

Click on book image to order from Amazon.com

or

http://www.barnesandnoble.com/w/fighting-to-win-samurai-techniques-for-your-work-and-life-david-rogers/1119303640?ean=2940149174379

 

 

Please follow this “Starting Your Life Fresh” blog. It will feature topics I think will be of value to you.

 Let Me Know

Tell me about your purpose and share it with other subscribers.

 

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Filed under Developing Talent, Human Potential and Achievement