You hear so much yapping about a career in writing and art being a hard life. Shoveling coal for a living is a hard life, but when you are doing what you were put on earth to do with your life–and that is to write or paint–your life is simple, for then you have answered the most crucial questions of all: “What shall I be? “What shall I do? Then you ask, “How do I do it” and that is your craft, that is your art.
My blog is intended for writers and artists. Three million Americans identify themselves as writers. 2.7 million Americans identify themselves as artists. Of course, the blog also reaches millions of people in foreign countries who also identify themselves as artists and writers. To date my blog has been looked at by four hundred thousand writers and artists, the majority Americans, and others from even the least populated mountain and island kingdoms.
An Example of What Happens to Writers as Their Lives Unfold: The Opportunities that Appear
I will use myself as an example of a writer whose career over many years I can describe. It may be of value to writers and artists to compare to their own careers. Fighting to Win: Samurai Techniques for Your Work and Life is my best and my favorite book. It was written to help people. The main beneficiaries of Fighting To Win are discouraged people—broke, out of work, disappointed with their career or life, etc. Fighting to Win lifts them up.
Many people–probably most– struggle to find direction for their lives, but some people know from their earliest years the life, the career, they will pursue. I began writing professionally at eight–$25 for a story published in Jack & Jill. I didn’t know then that eventually in my career as writer I would, as many writers do, evolve into writer/poet/book marketer/public speaker/blogger. I decided on the way home from school on a rainy day that my goal when I grew up would be to be a writer so I could write beautiful words like “lovely,” “sea-faring,” and “proficient.” That goal has never changed through the publications of twelve books that are not self-published.
Ninety percent of a writer’s talent is inborn. That’s why writers needn’t attend the Iowa school of writing, but are generally self-taught. Some writers who write surprisingly well when they are very young are prodigies. There are artist prodigies too that draw and paint beautifully like much older artists. They master perspective when they seem too young to have mastered it .Mozart was a music prodigy, composing at four. Baryshnikov was a prodigy in ballet. He was the greatest dancer of his era because he could leap highest.
An early blooming prodigy can perform something before being taught to do it. For example, a young writing prodigy can write a story that has a plot, characterization, themes, tension, mystery, a strong conclusion though they have not been taught those features. The remaining ten percent of a writer’s expertise is skill and technique that comes from study, a ten percent separating great from good, and a phase that introduces the need for hard work, even among the most naturally-gifted.
As in every field, sweat-and-toil hard workers out-perform lazy or listless workers. You cannot rely on natural talent alone to bring high success. Without drive and intelligence–however naturally talented you are–you will not go as far as you could. Each day writers and artists should hope they have talent and tell themselves. “Today I will be energetic. Today I will be focused.”
A career in the arts is in keeping with my Welsh heritage. The Welsh entertain each other with stories and songs. I completed three degrees in American literature and taught Self Development in a university graduate school. At age twenty I had a short story published in a major literary journal. At twenty-one, a highly-regarded writing teacher said of my paper, “Teachers wait their entire career for a student who can write like this.”
I knew nothing about publishing and sent the entire manuscript of Fighting to Win to a publisher who called me and said they wanted to publish the book. I asked what kind of changes they wanted made and they said, “None. The book is a perfect book.” That statement soured me. Surely no book in first draft form is that good. I wanted a more demanding publisher who would encourage me to write my best. I turned the offer down. Having some doubts about the book I wrote an entirely new draft, starting from scratch, consuming a year.
I made an agreement with an excellent literary agent. I owe him a debt of gratitude. He was energetic and honest, and placed my book Fighting to Win with Doubleday. After the success of Fighting to Win, another publisher said they wanted me to write a book for them. “What do you want me to write about?” I asked. They said, “Whatever you want.” So I wrote Waging Business Warfare for Scribner’s publisher, a book that The Wall Street Journal said would change the way companies do business. Both books climbed the best sealer charts. Fighting to Win was also a best seller in Sweden. Waging Business Warfare in France and Japan.
Writer or artist, you have to distinguish yourself from the crowd. You have to get known. I’ve had many appearances in the national media on publicity tours and on my own. The books and my name became known in North America and foreign countries who purchased rights. I discovered that I am a good interviewee for marketing books, which is really sales. I have trained people in selling technique. The goal of a writer marketing to the broadcast media is to be invited back. Ideal is when the host of the show says “Call whenever you have something you want to talk about. We’ll put you on right away.”
Having written a book that becomes known by the public changes the author’s life forever. If you’re an author you’d better like the book since you and it from the publication date to the end of your life will be inseparable. You will be known as “So and so, the he author of….”
A New York publisher, I didn’t know, head of a major house who “had read everything,” generously called me out of the blue to tell me she had read Fighting to Win and found it “One of the two or three best books of any type–prose, poetry, biography, history, arts etc.–I have ever read.”
Then I took on a new career: public speaking in auditoriums in North America and Europe to audiences of thousands about their self-improvement, based on the content of Fighting to Win. I discovered a talent for public speaking to large audiences that I wasn’t aware of. Long ago I was afraid of public speaking, but now I enjoy it as much as I do writing, and the income is impressive. Many speakers/writers earn more money from speaking than from writing. The writer who can also speak is lucky. It is quite a shock to writers accustomed to working alone to find themselves on a stage addressing three, four, five thousand people who have come to hear an author’s wisdom.
Later I began this blog, designed to stimulate thinking about the important roles of writers and artists, especially those who hope to excel, a goal I share, placing emphasis on research and prescriptive how-to advice. I wanted to think of every aspect of writers’ and artists’ work life and write something practical to aid them. Each blog is an essay pertaining to the life of writers or artists–their necessary knowledge, their moods, their challenges, their discouragements, and so on. My most popular post is “The Characteristics of Creative People.” There are now 141 essays.
A major change in this writer’s life was turning, later in life, from writing prose to writing poetry. Since then there has been a stream of publications of poems and great joy. I wrote a book of poetry about adventures I had at seventeen when for six months I lived the life of a hobo hitching rides on freight trains: The Poetry of Riding Freight Trains Across America.
Philip Roth said eventually people won’t read novels anymore because with such busy lives, growing busier, they don’t have the many hours needed to read a novel. A poem can be read in a few minutes.
In Bliss
When you spend thousands of hours working hard over many years as many writers and artists have, and think of your craft all the time since childhood, writing and painting and other arts are the simplest tasks of your time here on earth. Dancers find a similar joy in dancing, actors in acting. When unhindered, such craftsmen write, paint, act, and dance in bliss.
© 2025 David J. Rogers
For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:
Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers
Click on book image to order from Amazon.com
or
Order Waging Business Warfare: Lessons From the Military Masters in Achieving Competitive Superiority
Click on book image to order from Amazon.com
or
F. Scott Fitzgerald’s (1896-1940) writing was the major interest in his life. From grade school to his death nothing was quite true to him unless he had written about it. He was a fine writer, and his writing was always about himself or people he was intimate with. As a result his life was inextricably bound up with his work and his life with his kooky and attractive wife Zelda was an interest in itself. He lived a colorful life and a disastrous one with Zelda. They lived like fairy-story hero and heroine, filling newspapers with reports of their wild life-style. Much of the disaster of their lives were of their own making. Fitzgerald is called the creator of the Jazz Age which began with his writing best seller This Side of Paradise at the age of twenty-four, making him rich, his goal for writing it. The book became the voice of the younger hedonistic, thrill-loving, post-World War I generation.
All writers are equipped with a good memories, but Thomas Wolfe’s memory was astonishing. Because of it he was able with ease to recall events, people, and places in stunning detail. That was his strength. His weakness was an inability to restrain the deluge of words that poured out of him from evening to dawn as he wrote, or when he spoke, and he simply, despite himself, had no ability to stay within the requirements of writing a saleable novel. He had no concept of how to write such a book and needed the help of his editor, the legendary Maxwell Perkins of Scribner’s, who at the same time was the editor of Ernest Hemingway and F. Scott Fitzgerald, two other difficult clients.
No writer in the nineteen thirties–or even now–could write with the beauty of Thomas Wolfe’s prose. His reputation after his death suffered because of the perceived formlessness and verbiage of his writing in an age when critics preferred tight structure and economy of language–short sentences and short episodes, and highly-focused scenes rather than the volume and torrents of Wolfe’s language. Once considered by Nobel Prize winners William Faulkner and Sinclair Lewis to be America’s finest writer, and in the past extremely popular with readers and critics, Wolfe is now almost never read–unfortunately in my opinion, if one is interested in being inspired by the brilliance of written expression. Hard as you look, you will not find Thomas Wolfe–once thought a towering genius–in current anthologies of American literature.
He arrived in Paris in 1930 with no money, no prospects, and no place to stay, in his words, “ a writer at the beginning of his career, naïve, enthusiastic, absorbent as a sponge, interested in everything and seemingly rudderless.”
Psychologists classify people in categories according to their personality traits. Yet they cannot measure 
Sometimes a person who one day will become a serious writer doesn’t know herself what she might do with her life. But she feels instinctively that she’s good for something and has some reason for existing. She has a hunch that there is something important in her that’s worth pursuing further. She finds that something in words. She makes herself into a writer–an expert in expressing herself via written language. At times, with some people, writing becomes the center of their identity, and they become another Saul Bellow who said that when he wrote he felt like an artist, but when he was not writing he didn’t feel like anything.
A main goal of writers and all other creative people is to produce works. Writers make the structure of their creative lives by means of their work. If they are unable to work or the work doesn’t go well, they suffer. The writer–the artist, whatever the art–uses the art to express emotion and when they are denied that expression they feel tension and conflict.
The sciences and anything involving a machine are mysteries to me. I have no aptitude for them. Once I got hold of an old used paperback on how to become handy around the house and did some wiring and put in a light switch in the children’s bedroom without burning the house down. My children watched me and marveled. I swelled with pride. I felt I’d really accomplished something. I’d say to guests, “come upstairs for a second” and show them the light switch and brag, “I put that in.” A very unusual accomplishment for me. But writing I understand and am good at. I’m confident about it. It’s my best craft.
Writing is a time-consuming process of self-discovery, self-awareness, and self-expression that may satisfy a writer’s deepest needs. Some writers find that nothing can compete with, nothing can replace, the writer’s joy of creating. Many writers so saturate themselves with their work that it becomes a need as strong as sleep, sometimes stronger. Many writers think, “This writing that I am doing is essential to my fulfillment and well-being. At times I may be so involved I will forget to eat. I will forget to make love. I will block out distractions. I will arrange a life-style and personal habits and routines to accommodate my writing.”
Some writers do consider writing the most important role in their life and give other roles short shrift. Many writers would agree with Katherine Anne Porter who said that the “thing” between her and writing was the strongest bond she had ever had—stronger than any bond she had ever had with any person or activity. 
Here it seems appropriate to talk about my Law of Give Up to Get. The Law of Give Up to Get means simply that to get something important in life, you must give up something else. Gripe all you want, rail at the gods, and wish it weren’t so, but you have no choice. In the long run, perhaps you can have everything you desire. But at any one time, to get A you’ll have to give up B. To get X you must give up Y, and maybe you might have to give up Z too. To write, you have no choice but to give up something else—maybe more than one thing. That’s a law, the way life works: to achieve this, you’ll have to give up that—time, energy and other resources spent doing other things, attaining other satisfactions.
Are there any roles in your life that can be supported with a smaller investment of time, energy, and other resources so that you can devote more time to writing? Are there any roles currently in your life you might dispense with?
The manuscript Golding submitted was worn, torn, and stained when Monteith first saw it. It had obviously been rejected by other publishers. Even Monteith agreed that this work of a public school teacher was over-written, disorganized, repetitive–a mess–and seemed never to get started. After many rejections Golding was losing hope of having the book published, of ever being published.
be recognized as a person with a talent that can generate revenue. When a writer is discovered by an agent or publisher, their life changes for the better. This post is about writers who were discovered, then published, and found success–perhaps more success than they expected. There are so many writers with all the talent in the world who are trying very hard to be discovered by an agent or publisher who is trying as hard to discover them. There is a good chance that many writers we read would never have been published had they not been discovered by the right agent and a right publisher.
Finally a small publisher picked it up. However, this editor who discovered the book, was different. He was enthusiastic and said to Harold, “Your book is going to be a best seller.” Finally what Harold had been hoping for: someone had faith in the book and its spiritual message. It became a phenomenal best -seller, the most popular book in the world, selling twenty -five million copies.
Persistent and confident in spite of failures, Jack London submitted his manuscripts hundreds of times to publishers that rejected the work before an editor discovered him. But after that, within a single year London, a self-educated writer, took the literary world by storm and was the most popular, most critically and financially successful novelist/short story writer in the world.
Invariably I would think, “All these incredibly talented performers I see–artists who are looking for a big break and are dying to be discovered.” Much like them, so many writers with so much talent also are trying very hard to be discovered. Without the people who discovered William Golding, Thomas Wolfe, Harold Kushner, or Jack London, would we have ever heard of those famous authors?
davidjrogersftw 
Why Are So Many Talented Writers Unsuccessful?
I’m assuming that you have a writing talent, and that you may even have been the most talented in your class, in your school, and now are the
most talented in your writers’ group, most talented in your home town. That’s something to be proud of. But talent alone isn’t enough to make you a highly successful writer in the competitive field of creative writing in which almost everyone is talented, everyone gifted, and everyone exceptional.
But there are qualities other than talent that will determine how successful, fulfilling, and happy your writing career will be in that competitive world of very talented people. That hard-to-define stuff called talent is just one of the many requirements of the writer who excels. If you are relying solely on the talent you were born with to bring you writing success and happiness you are making a mistake.
Poet John Berryman thought that talent was no more than 20% of a successful poet’s personality, and why shouldn’t the same may be true of novelists, dramatists, screen writers, and essayists? What I’m asking is, “What comprises the eighty percent of a writer’s personality that blended with natural talent brings about success?”
To that question there are innumerable possible answers. According to writers, teachers, critics, and researchers other factors that are important are:
Endurance/ Persistence
Novelist Kurt Vonnegut said that talent was extremely common, but what is rare is endurance, the willingness to endure the sometimes difficult and trying life of the writer. Many writers have come to the conclusion that sheer old-fashioned day-by-day doggedness is the key to writers’ success. In the book The Courage to Write, Ralph Keyes says, “Success as a writer is within the grasp of whoever can tell a story on paper that people want to hear and is willing to persevere, to put up with boredom, frustration, and anxiety. Determined writers will find ways to get published regardless of whether they are brilliant or have a degree from the Iowa Writer’s Workshop.”
Passion, Intensity, Obsessiveness, Willpower, and Patience
Among the personal qualities that cause motivation strong enough to sustain a writer through the inevitable trials, disappointments, setbacks, and self-doubts are those that are not luxuries but necessities for any writer who is in any way serious about writing: passion, intensity, obsessiveness, willpower, and patience. Gertrude Stein said that all of a writer’s work comes out of a passion as a powerful force, and added that if you really have that passion you aren’t able to recognize it because you don’t know what it is to feel any differently. Many people with obsessive compulsiveness–including writers I’ve known–are especially productive not despite that affliction but because of it.
Hard Work, Commitment, and the Hunger for Success
Writing teachers are generally in agreement that it’s not the best, most talented students whose names they see in print in later years, but the hardest workers and the hungriest for success. The students with the most talent but the weakest work ethic who dazzled the class disappear into oblivion, while the hard workers often go on to great achievements. Many prodigiously gifted but poorly motivated people do not end up where gifted people belong: in the upper echelons of their field. Without pursuing all your goals with clear-mindedness, confidence, and commitment over years, you’ll probably quit after repeated failure.
Every writer, as every artist and every actor, who experiences minimal success eventually asks “Should I quit?” or lowers their ambitions. Writers who have achieved a high level of excellence and success are not satisfied to reach merely an acceptable level of performance, but are motivated to pursue increasingly higher goals.
Example of Pursing Increasingly Higher Creative Goals: Frank Loesser
Self-Confidence and The Need to do Your Best
Those who are sure of themselves intensify their efforts when they don’t reach their goal. Studies of high-performers in all the arts show that they are all universally alike: over and over again they are people who believe in trying to excel, in doing one’s best, in working very hard and spending time constructively. They are intensely attracted to their field from their first exposure to it and all through their efforts to develop their skills and their “reach.” In fact, if you have an intense interest in a creative field, that in itself is almost always a sign that you have a natural talent in it.
The Effect of Passing Comments
Talent can be ignited at any time. The cause of motivation to write a 300 page book or continue on the writer’s life path may be nothing more than a passing comment. Simply being told by someone else or telling yourself that you can achieve much more through trying harder will get most people to try harder. Just being told that they are talented is often enough to start people off to develop that talent.
An Analogy
Talent in writing will not bring success unless it is supplemented by other human qualities. Without endurance, determination, intensity, passion for writing, obsessiveness, will power, hard work, commitment, hunger for success, and self-confidence a writer would be analogous to an automobile–beautiful, streamlined, expertly designed–but lacking an engine.
© 2023 David J. Rogers
For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:
Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers
Click on book image to order from Amazon.com
or
http://www.barnesandnoble.com/w/fighting-to-win-samurai-techniques-for-your-work-and-life-david-rogers/1119303640?ean=2940149174379
Order Waging Business Warfare: Lessons From the Military Masters in Achieving Competitive Superiority
Click on book image to order from Amazon.com
or
http://www.barnesandnoble.com/w/waging-business-warfare-lessons-from-the-military-masters-in-achieving-competetive-superiority-revised-edition-david-rogers/1119079991?ean=2940149284030
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Filed under Confidence, Developing Talent, Human Potential and Achievement, High Achievement, Intensity, Persistence, Success, Willpower, Writers, Writers' Characteristics
Tagged as Frank Loesser, Gertrude Stein, John Berryman, Kurt Vonnegut, passing comments, Ralph Keyes