Tag Archives: memories

Four True Close Calls

My Life in Jeopardy Again

I’ve had numerous close calls,
Starting in childhood when the fire
Department rescued me
And the neighbors stood
On their porches and cheered,
Then being saved from
Falling off a mountain cliff.
Then many other close calls that make my
Wife shudder to hear me talk about.
I could write a book about close calls.

 

When You Grow Up In Chicago

Chicago is the home of great
Financial institutions and universities, but
City at nightWhen you grow up in Chicago as I did
You coexist with gangsters. You know their
Names and nicknames and you
Read the papers about them and hear about
Them, or they live in your neighborhood.
Chicago is the city of neighborhoods.
I dated a famous gangster’s sister–a lovely girl–
But her family lived in shame. Her brother was
Slain because he double-crossed other gangsters,
His body found bullet-riddled as double-crosser’s
Bodies usually are.

 

Here are four close calls I’ve had.

 

In a North Side Chicago Bar at Two A.M.
Gangland Killer

In the bar at 2:00 A.M. on the fading
End of a magnificent summer night that had been warm
But turned pleasantly cool like a breath of October
Were four people who had nothing in common:
A waitress, a bartender, a drunk man, and I.
The waitress and I were twenty-two or three then,
She was pretty, her complexion as fresh as clover.
Her periwinkle blue eyes made you recall a sky you once saw.
Both of us were as care-free as the magic of our youth,
She younger than wherever her life would lead, I not yet
The writer I would soon be. We never knew each other’s name.

She was fearless when she said to
The surly drunk man everyone all night had been afraid of
And kept their distance from because he seemed to be
A dangerous man, “Sir, I can’t serve anyone who has
Had too much to drink. Do you understand? ”
She had manners. She was a nice girl.

The drunk man then spit in her face and I
Went over there and chastised him, saying to him
That he must apologize to her,
That in civilized society you don’t spit on people–I said,
“That’s something everybody’s supposed to know,” and he
Cursed me and growled that he now intended
To kill me.

Pissed, I stood in front of him and said,
“Go ahead pull out a gun right now
And shoot me.” He cursed me again and furiously
Stormed out the front door. Then the bartender
Said to me that I had picked the worst possible man
To antagonize: “When he said he would
Kill you he really could. He is a murderer.
He tortures and kills people. That’s what the man does.
That’s his profession. This is serious.
He’s in that car at the curb waiting for you to
Come out. If I were you I wouldn’t plan on
Living a long life.”

The waitress and I hugged goodbye, never
To see each other again, then slipped
Out the back door and down the dark alley
Laughing at the ridiculousness of the situation–
“How will we explain this to anyone?”–
Running for our lives.

 

Freight trainWhen I was seventeen I rode freight trains across America for six months for the sake of adventure, living the way hobos live, and had close calls daily, my life continually at risk.

 

 

Nature’s Cruelty:
The Bitter Cold of Night

Cold settles savagely on Utah’s
Great Salt Lake desert late at night.
I had reached the desert by freight train
After a scorching day,
The red sun pulsating in the sky
Like a throbbing heart. The temperature then
Fell precipitously. Then there was an ice storm.
Then nothing to warm me, exposed to the open air.
How in the unspeakable cold of interminable night I suffered,
Hoping not to freeze to death by morning and be
Found in a boxcar as stiff as a six-foot plank of wood,

 

Shot at, Chased By Dogs

When my freight train reached Kelso-Longview
The railroad police were waiting,
Holding the leash of a German shepherd
In one hand, waving a gun in the other.
Shouting and running, I, youngest, running fastest,
Hobos leaped or fell from the cars and dashed
In every direction, chased by the cops
Firing their weapons everywhere.
As I ran I laughed at how out
Of my element I was, far from Chicago, and how ludicrous
The whole scene must appear–a hundred
Running hobos and bulls, men firing revolvers,
Other men praying not to be shot,
Ferocious dogs snapping at my heels,
Shots grazing my head.

 

Milk: The Ordeal of Thirst

The freight train we caught hadn’t stopped
Going on three days and our canteens
Were empty. We were worried about water.
We had never been as thirsty.
We were losing hope. How long can a
Human live without water? When would
This train stop, free us, and let us live?

I fell asleep in the heat and dreamed
That I opened the refrigerator
At home and saw every shelf loaded
With bottles of milk.

Waterfall with water that looks like milkThen in a second dream
I saw waterfalls of milk spraying
And roaring down like Victoria Falls–
Streams of milk, rivers of milk–

An ocean of cold milk. My friend asked if I was
Still alive and I answered that I was.
“What are you thinking about?” he asked.
“Milk.”
“Milk?”
“Milk.”

The train stopped
And I jumped off onto ground.
I found a providential water pump
And filled our canteens–the
Stream of water from the pump
Pouring over my boots.
We drank the foul tasting
Egg water and found it life-saving.

 

© 2025 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:

Interview with David J. Rogers

 

 

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More Gentle Poems by David J. Rogers

Here are a few of my recent poems on the theme of gentle poems in a troubled world.

 

Moonlight and Ice

Driving alone, not feeling lonely, I thought of the
Obligations fathers and their children have to each other.
I thought of the Japanese word On, meaning our duty,
What we owe. I was headed to the Mississippi River
Before dawn on a cold December day. Along the road
Were patches of ice, dark farm houses–everyone
Sleeping–frozen lakes, and small icy ponds.
Walking out on the sheet of ice that the Mississippi
Had become I reached a place visible in the moonlight that
I thought was right and I kicked a hole in the ice for the ashes.
No one in sight, I said a prayer aloud for my father.
How grief blurs one’s eyes and clutches one’s throat.
The sun came up as if it had risen like a golden flower from
Out of the earth. Then the landscape grew bright, ice glittering
In sunlight.

 

Pitch Black Nights

There are nights so dark
Out here on this mountain top
I can’t see anything.
But the air is alive with
Sounds I lie back, listen to, and try to identify.

 

One Day’s Peace of Mind and Heart

Could I have but one day’s peace of mind and heart
I would choose this lovely fall day with Diana.
The colors of the crowns of autumn’s trees
Are so brilliant today as to open our eyes from sleep.
As light in weight as a maple leaf a south wind
Brushes across the surface of the lake we played in
As children, rippling the water, ringing a red
Sailboat’s bell. Over us now fly six gulls
White as lilies. Their shadows cross Diana’s face.
Everyone agrees her face is beautiful,
And her gray-white-silver hair is beautiful, and
Green eyes, and the appeal of her voice, so soft,
The appeal of her kind, endearing thoughts, the appeal
Of her every quality–these things overwhelm me.

 

Images of Natural Life While Walking Through a Forest with a Friend

In the underbrush along the path we followed grew
Morning glories, wild flowers, lilies of the valley, azaleas, and
Asters. In the trees above, squirrels preened on their hind legs,
Then sprang and leaped from branch to branch. A nervous chipmunk
Made its departure into the lush chipmunk world.
A small female white-tail deer waited courteously for us to pass,
A puzzled expression in her bulging eyes, and then bounded
Free as a wind across the path. We were so close we could touch her.
Then a full-grown, majestic male with more serious eyes appeared,
Strutting across the path as though a banker.
Grasshoppers still damp with morning dew dried themselves
In the sunlight and we took care to step around them.
A yellow finch, its head bobbing, chirped sweetly. Insects
Squabbled in the air. The fragrance of clover
Was everywhere.  A wind swept across the river in front of us.
The leaves of the trees seemed to whisper.

 

Going Home the Last Time

I will go back now to where I grew up,
The place and the people,
Arriving as the sun
Sets in a perfect pink and orange sky
Above the church where my father sang.
I will smell working-class six o’clock meat and potato dinners
Down the streets and pause to watch hawks circle above
The chimney of my house
Just as another generation of hawks did in my youth.
Neighbors will trudge home from work, in no hurry, quiet,
Alone or in twos and threes with their
Crumpled lunch bags folded in their hand.
Then before leaving forever, I will sit on the stairs
Of my long-ago home listening to crickets in the hedges
Chirping their praise of summer nights.

 

© 2025 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:

Interview with David J. Rogers

 

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Writers Write About Things that Happen to Them

Hourglass in front of orange cloudsGiven the gift of exceptional powers of memory, writers never forget so that they might write years later about events that compose their lives.

 

My Youth:

The Night Racer of My Childhood

I have not forgotten a strange boy who on summer nights
Appeared standing tall and stiff on the pedals
Of his bicycle and silently raced up and down the street
Where I lived, a puppy in a paper bag in the basket yapping.
As he rode the street an eerie train whistle blew plaintively
Although there were no tracks and no trains anywhere near.
The superstitious thought the whistle the cry of archangels.

 

Ice Cream Man

A bevy of children
Proffering handfuls
Of nickels and dimes
To the wizened Ice Cream
Man in exchange for
A delicious bar thickly crusted with
Brittle dark chocolate
Or nuts,
Or both.

 

Giant

Giants are heroes of children.
Every child would like to have
Their own giant, one who drives a car
From the back seat,
Long arms holding the steering wheel,
Long legs reaching the pedals–
A substantial giant.

When I was a boy in Chicago a giant
Sat in the seat next to mine in church
And we talked and I liked him.
He is cited in
The Guinness Book of World Records
As earth’s tallest person.

There is a replica of him
In the wax Museum in London
That I visited, and when I stood
Close to it, I seemed back years before
In church with Mr. Koehler
Towering eight feet two inches.

 

Childhood: A Period of Summer, Sunlight, Flowers

Morning Glories

Sitting on the window sill
Watching people
Exchanging stories
Over white and purple
Morning glories
Growing wild among clover
On the flanks of the hill

 

Jobs:

Public Speaker: Trippingly off the Tongue

I have come far from high school
When I was terrified to give a speech–
So full of fear.
Now I speak to audiences of thousands–
Eight thousand in Paris–and when I finish
They stand and applaud, a shy
Boy who now, a man, has no fear of public
Speaking whatsoever–no nerves –only pleasure, joy
Speaking artfully and addressing audiences that want
To know what I am thinking.
I feel I have accomplished something.

 

Professional Writer:

The Object in the Streetlight: A Writer’s Birth

Working so hard on abstract
Problems–being so sick of them that
My brain ached, I, troubled, anxious, going out
For a walk alone, without my lady love,
Hoping that the cool late night air
Might be therapeutic and could clear
My thinking so that I might decide
Calmly if a writer’s life could provide happiness.
Near the beds of flowers, flat on the pavement–showered
In the white light of a street lamp–was a single
Object which I picked up from the ground:
A book–of all things a book–
The symbol of the life I had been avoiding. I had to laugh.

I then felt this book I had found, which some person had lost
Or angrily thrown to the ground,
Had been purposefully intended for me
By the ineffable wisdom of the stars, by good fortune,
As a sign, a portent, a clue, a key.
And that what this epiphany of the book
Meant was that I could not escape my pre-
Appointed destiny that suited the architecture
Of my genes, the juncture of talents, gifts, desires, qualities–
Not striving to become any of the five thousand entities
Others are suited to be, but that are alien to me,
Becoming thereafter one thing alone–a being gluttonous of words,
A writer-poet-orator-essayist-teacher–a fish content,
Self-possessed, without further anguish,
Swimming in seas of language.

 

Business Traveler: People You Meet When You Travel For Work

Woman of the Night

If I tell you that in the hotel elevator
At two a.m. she touched my arm and said,
“I’ve been looking for you all night”
In a sweet voice and with a friendly face
You would have an idea of her lonely
Profession, but no idea what kind of
Woman she was, nor how pretty.

 

Flight Through a Storm

The plane seated only four passengers,
Two businessmen, a writer, and a nun.
Before we left the ground
I asked the pilot how it was “up there”
And he said “The winds are very bad”
And I knew I was being a fool and
I shouldn’t fly that day. But I was in
A hurry to get home. The plane was
Thrown about in the wind like a toy and
We were all scared. The nun was clutching
A crucifix and whispering prayers. She asked
Would I please hold her hand and promise her that
We were not going to crash. I took her hand
And promised. The winds soon died as though
They were exhausted, and we four–friends now–
Left the plane in good cheer.

 

Soldier: The Trains of Fort Jackson, 1965

There were long trains and some days and some hours longer still.
They came into U.S Army Fort Jackson, South Carolina round the clock,
Carrying young soldiers who were sent there to learn to fight
In the jungles of Viet Nam.  Their families lay behind them
In the cities, farms, and towns of the South. They stood at the open
Windows of the trains, the wind troubling their hair, their eyes large
With astonishment, trying to comprehend the enormity of
What they were about to face.

 

Family Life: Children and Their Fathers

I thought as all children think of their fathers
At that age that he was a great man. He had
Made a life out of little achievements that
Were magnificent to me–had made a paper
Weight, had painted a wagon, could change a tire.
Then he felt he had done something, and so did I,
A man who would live in anonymity, do the best he
Could, be remembered a little while and forgotten,
A father like every other.

 

Grocery store clerk at twelve: Lyric for Angela

At seventy-five cents per hour
I am a twelve year old
Professional bagger of cans
Of pineapples and tomatoes,
Weigher of potatoes,
Stocker of shelves
So the labels artfully frame
For the customers’ eyes
The Gerber baby,
The Scott tissues,
The orange carrots,
The vivid green peas.
When I am near Angela,
The dark-eyed store owner
Who favors me
My heart beats faster.
I cannot breathe
When I am near Angela.
As she works she sings.

Her spirit enfolds and singes me
As with hot tongs.
She smiles with
Such sweetness, gentleness,
And goodness she breaks my heart.
Her hair, her voice, her hands, her
Presence bring
A quality into my life
Which I know to be love.
My youth is purer,
My memories more
Lasting because of her.

Angela’s husband is awful
To her and treats
Her cruelly.
I vow that one day I will
Whisper to Angela,
“Why don’t you run away?”
But I fear she will not
And that after I have gone
To high school and college
And am grown up
She will still be heard
Singing in the aisles
Of this little store
Like a bird in its cage.

 

Adolescence: Racers

My father drives the family
To the beach, parks, and then
Says “Go,” and he and I race.
We race from the car to the sand
Where the family will happily
Spend the afternoon in the sun.
He always wins the race because
He is a racer and much older and
Stronger and faster than his son.

But I am a racer too, and through
Those years of finishing second I
Am growing stronger and faster,
And when I am fourteen I beat him.
Running that race we are even
And then I pull ahead. A strange thing
Happens:  as I approach the
Sand, I don’t want to win. I don’t want
To beat him. I slow down so that he will win again.

When we stop he says, “You needn’t slow down, son.
You are a faster racer than I am now.”
I never forget those words or that race.
I go on to win many races and set
Records, win trophies, medals, and ribbons.
I achieve more in racing than he ever did, and
Perhaps more in life than he did, but in
His prime and my youth he was
A racer who could beat me.

 

At the age of Seventeen riding freight trains across America with a friend for six months and writing about our adventures.

Setting Out

Nothing in this world will burden me.
Fields of crops out to the horizon.
Breathing in winds that rejuvenate like milk.
Waving to hikers come out from the city.
We can go east or west, south or north,
Not caring in the least where we are or where we are bound,
Through experiences we are not accustomed to, some dangerous,
Discovering what we are made of. We will climb onto boxcars
And jump off a thousand miles away and ride the lines with
Strangers with their lives to tell us about, relying on luck to take us
On adventures we will remember forever.

 

Shot at, Chased by Dogs

When our freight train reaches Longview-Kelso,
The railroad police are waiting,
Holding the leash of a German shepherd
In one hand, waving a gun in the other.
Shouting and running, we youngest, running fastest,
Hobos leap or fall from the cars and dash
In every direction, chased by the cops.
As Nick and I run we laugh at how out
Of our element we are and how ludicrous
The whole scene must appear–a hundred
Running hobos and bulls, men firing revolvers,
Other men praying not to be shot,
Ferocious dogs snapping at our heels.

 

Family Life: The Death of My Young Sister

Until I die I will feel the immense weight
Of grief for you, and now you are gone
I ask your forgiveness for any sadness
I ever caused through thoughtlessness or selfishness;
And wish you to know that I intended
No harm and am so terribly sorry.

 

Late Middle Age: Age: Going Home After Long Absence

I will go now where I grew up and visit
The people I miss the most–
My sister Sharon, my parents,
A few friends, all gone now.
I will arrive in the evening as the sun
Begins to set at the end of the street
Above the church where my father sang.
I will smell working class dinners and
Watch the night hawks circle above our chimney.
Neighbors will come home from work.
Children will put their bikes away.
I will remember my younger self running a race
To the corner by the mailbox and back.
(Whenever was I not running?)
Then I will sit on the stairs and listen
To crickets in the hedge chirping
Their praise of summer nights.

 

Romance, Love

“Meeting Diana”, Knowing in an Instant I Would Marry Her
I saw her across the room
And put down my book and went to meet her.
Her name, my name.
Black hair. Green eyes.
Elegant. Exquisite. Young.
The most beautiful woman on earth.

 

Lady With No Needs

D’elia–the self-sufficient
Lady of twenty-five–my age too–
Who has no desire for wealth
Though she is not rich,
And although the most pleasing
Rendition of a beautiful woman–
The eyes, hair, breasts, and face of a beautiful woman–
The mystic bearing and mood of a haunting woman,
Her skin’s softness and its shades, her lingering perfumes
She has no interest in applause, the stage, or film,
Which might be her professions had she wished,
But prefers a life untainted by fame,
And has:
No need of friends. Without friends she is not unhappy.
No need of a father at home in Dallas who disparages her,
No need of a husband she has no feelings for,
No need of anyone, but has never felt lonely.
She has no need of me,
But when I leave her, her lips tremble.

 

Greenwich Village

I saw you
Looking at me
Knowing I had
Looked at you,
No chance ever
To see you again
Or you to
Look at me again
With your enticing eyes,
You who had I
Known long ago
I would have run
My finger over
So carefully
And cupped
In my hand
Like an orchid.

Beauty Beyond Words

Whenever I see Sidney she
Steals my breath. Walking,
Her lithe body sways and
The sun shines bright on her wild, black,
Stormy-looking hair, engendering in me
A sense of her sophistication, and not coldness,
But rather inaccessibility, delicacy, refinement,
And intelligence. For that’s the impression
Women whose beauty is beyond words make
Upon me.

Unfathomable, Troubled
Unfathomable,
Troubled,
She entered
My life so
Suddenly
And I hers
That
Neither was prepared.
Three unexpected
Years together
Seemed a moment.

 

Pretty Ballerina

You danced
For me alone
So beautifully
Pretty ballerina.
Would you
Dance for me
Again
Were I to ask?

 

In the Company of the Most Beautiful Girl

We stopped for coffee one night in a little café
Up in North Platte, Nebraska. Outside it was
Cold and gray. We went inside, out of the rain,
And sat at the counter and waited for service. In a few minutes
We saw the kitchen door swing open and a waitress
About our age come out. She poured our coffee
Carefully, biting her lower lip, her finger on the top
Of the pot, not looking at us, and our eyes large,
We watched her closely. She had long, lovely-shaded
Amber-colored hair that flowed like oil and tossed from
Side to side. She smiled so gently, so exquisitely, that
I was numb. It was my opinion that she was the most
Beautiful girl we had ever seen in our lives and Nick
Agreed.

We stayed as long as we could just to look at her and
Be around her. When we paid up and left at closing time
We said goodbye to her, regretting we would never see
Her again, and she blushed and smiled at us in a friendly
Way, her eyes bright. We were warmed by the sincerity
With which she said, “Good luck, boys.” The thought of
Her would make us happy for a long time.

 

© 2024 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:

Interview with David J. Rogers

 

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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Gentle Poems in a Troubled World

by David J. Rogers

 

A Writer Loves to Work:

What has night to do with sleep
When you are a writer?

 

As I Lie in Bed at Night

I lie in bed listening.
Soon the sounds
White and blue coffee cup and saucer near a windowOf spoons against coffee cups
And the low drone of speech
From the kitchen cease
And my parents go to bed.
I hear the whisper of
Their slippers in the hall.

Of my family I think in my child’s
Way they are all of them–each of
Them–good people, devoid
Of malice, and I am fortunate to be
Among them.
Why have I been so favored?

“Whoever you are please treat us kindly.
Spare us please from pain or
If sparing us is not possible so apportion
Suffering so that none of us is asked to bear
More than we should be required to.”
I fall to sleep. I dream.

 

Swimming in Space

Nightly, I have been swimming in space,
The safest, serenest place,
Stroking through eternity
Gracefully, smoothly, effortlessly,
Since childhood.

Alone,
Far beneath what’s above,
High over what’s below–
Towers and cities and rivers and seas–
Gusts of silver wind I breathe.

Content, blissful,
I leave my body behind
And float as aimlessly as air
I am the air,
No destination in mind.

I am as free as I think
It is possible for me to be.
I am immortal.
I am beautiful.
I will pass this way again.

 

Butterflies, Flowers, and Lovers

Green and brown butterfly on a leafButterflies, you and I,
Fluttering over gardens–
Our little world–
From flower to flower
In search of that one who is to us,
Though perhaps to no one else,
The loveliest flower,
And when we find that lovely flower,
Then we are content forever.

 

 

 

One Dog, Two Cats, a Squirrel

My dog and cats are dead now
But the squirrel who loved them
Comes every morning to sit on the fence,
Expecting them.

 

Night to Day

The solitary moon glows,
The glittering stars glow.
The sun rises daily over city lawns–
The pallor of dawn.
So my life passes into and
Out of my thoughts.

 

Waiting For a Bus on Christmas Eve

I am ten, my little sister eight.
Excited, we are looking out
The living room window.
Slush
On the street,
Soft and hushed.

Down the street,
Before the red brick fire
House, clanking chains lashed
Around softly humming tires
Splash past.

A warm Christmas Eve,
End of day.
Grandma and Grandpa
With gifts
On their way.

Look, there they are
What do they have
In the red and yellow bags?

A doll with golden hair.
A Louisville Slugger.
Books.

 

Midwest Winters

In late October among clouds in the shapes of bells
Withered leaves spread out on dying grass
In the sorrow of fading light
Unwelcome memories fill a Midwesterner’s thoughts
With premonitions of gray, raw, implacable winter.

Too soon cruel, inevitable
North and West winter winds apply their treachery
To frigid fingers, feet, and faces.
Eyeballs freeze in their sockets.
Wailing medieval demons of winds howl
Across cities, towns, fields, silos, prairies.

Laarge snow-covered tree at the side of a snowy expanseSnow drifts smother every highway,
Street, river, and stream.
Everything everywhere sparkles with frost.
In a weary succession of cold monotonous days
Citizens beat a path from home to work to home,
Hungry for warmth, pleading to see any color
But the white of snow.

There is no more hateful damnable
Rapacious ferocious and treacherous
Winter than right here in the Midwest.
Where winter punishes us for adoring summer.

 

Summer Evening

After dinner when the weather was good, the fathers,
Some in gaudy suspenders, to a man seeking peace,
Left their families and went alone outside in the yard to smoke.
The glowing tips of their cigarettes or bowls of their pipes
Hovered like red ornaments suspended from invisible strings
In the darkness. The men nodded cordially to one another,
But only rarely went to their fences to speak. They stood
Stationary and solitary in the middle of the yard gazing
Up at the field of glinting stars, being reminded of
Their own inadequacy, their own insignificance,
Feeling in their souls the overwhelming rapture
And wonderment of being alive on this earth. In a little
They shredded their cigarettes or tapped out their pipes
On the soles of their shoes and watched the embers
Drift into the grass.

 

My Mother Doing the Laundry

Monarch of the
clothes pin,

servant of the
breeze;

white sheets
muttering,

white shirts
fluttering

on the
line.

Mother at her
loveliest

on the gray creaking
porch

on a sunfresh
afternoon.

 

Memories

Flickering portions of you
That accompany the people who love you,
Fastened around their heart
Forever.

 

Cool Wind

And I thought how lovely
It was to feel
Through an open window
A cool wind on a hot night
Such as this
And to see let in
Between the window shade
And the window sill
Leaves’ shadows dancing on
A midnight floor

 

Disguises

We are all so complicated and sealed up
In the disguises we wear
That we can know intimately in one lifetime
Only a person or two, and they not always,
But only in momentary bursts of understanding.
All the others we reduce to a few strokes:
That woman in the garden is lovely,
Has a lovely smile,
Owns a lovely dog.

 

The Death of a Loved One

Death leaves nothing when it departs
But still another vacancy in the heart.

 

Mushrooms White and Brown

At the base of this tree–sycamore I think–
Maple? (I don’t know) grow
Mushrooms–little umbrellas
White and brown.

 

Wind at the Beach

Suddenly a wind strikes up.
Into the air ascend three hundred white gulls.
Waves rise up from the lake,
Lunge and plunge like a field of gray-green
Wheat that then collapses on the shore,
Splaying into streams that sink into the sand
Slowly, as though unwilling to disappear.

 

 

© 2024 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:

Interview with David J. Rogers

 

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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Bring Your Memoir to Life: The Writer’s Skill of Evoking People and Places from the Past

A Talent That Is Remarkable

Exceptional writers have exceptional memories. Their talent to evoke in exact detail written images of the places, people, and events they recall is remarkable. Their writing is vivid and immensely readable.  It conveys the sense of ”What I am telling you really happened” that you and all  other  memoirists would like their work to convey.

Most good writers find their richest material  in their  past. Writer after writer reports that.  I believe it was John Updike who said he had all the material he would ever need by the age of twelve. No one knows why there is such a strong connection between breadth, depth, and accuracy of memory and writing skill.

A hand writing with a pen in a journalEvery memoirist, (as well as every writer of fiction and personal essays and every poet and playwright) should strive to make that attainable talent to evoke the past  a part of their repertoire of skills. They can then call on that talent every day as they compose, and it will bring their writing vividly to life.

 

Exemplar: Aunt Sarah’s Living Room in 1948 as I Remember It

Aunt Sarah’s 1948 living room was wonderfully cluttered. On a gorgeous filigreed silver tray– catching your eye first–was a herd of delicate colored glass figurines of unicorns, deer, bears, tigers and leopards–red, pink, orange, green, and blue that stood in mute silence on glass shelves in a five-foot tall unbalanced glass case that rattled when anyone came too close–and a collection of miniature porcelain tea cups and saucers that seemed so delicate that a careless breath would dislodge them and send them crashing to smithereens at your feet. There were thick beige and red throw-pillows soft as balls of cotton scattered on the enormous plush sofa and on the neighboring recliner that through years of use had acquired the shape of Aunt Sarah’s body, and two large upholstered straight-back chairs.  The faint path visible in the carpet leading in from the front hall was beginning to wear more noticeably this year.

There was a paisley ottoman and a footrest that you could trip over if you weren’t careful–or even if you were–and a glass coffee table that it was advisable to guard your shins from. In a corner lived a noisy parakeet that spent its every waking hour pecking at the door of its cage–to no avail.

Stackd metal folding chairsThere were not enough living room chairs to go around when the full family came over, but there were the dining room chairs to carry in and also  for an overflow crowd there were  gray metal fold-up chairs stenciled on the back in white “Property of Ebenezer Baptist Church.” Aunt Sarah stored them in the hall closet hidden behind her prized full-length fur coat, and was embarrassed for strangers to see them, for fear they believe the impossible, but conceivable–that she had pilfered the chairs from that house of God.

Lamps were everywhere. Aunt Sarah was a believer in bright lighting because in her words, “You have only one pair of eyes and they must be preserved.”  There were gold floor lamps with shades still in their clear plastic wrappings,  large, heavy, orange table lamps, and a miniature blue and white Little Bo Peep lamp on a tiny wooden platform that gathered dust on the wall over the upright piano, a piano around which a family sings together being a  virtual necessity in a Welsh home.

A plastic fern decorated,  as well as it could, the mahogany credenza next to the long, low radiator that from morning to night during the brutal Midwest winters and on chilly spring nights clanged, clanged again, and sputtered steam. The walls were papered in a design of vivid red and alluring pink roses with curved green stems.

An old-fashioned white oven with a green teapot, red crockery, and a vase of pink flowers on topOn a kitchen wall, above the old serviceable stove, was fastened an Elgin clock that ran fast, forcing everyone to subtract twenty-two minutes a day if they wished for some reason to be accurate, and in the corner of the living room, close to the large drafty window fronting Austin Avenue, was an impressive century- old grandfather clock whose big bronze pendulum, to the entire family’s collective memory, had never moved.

 

© 2023 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:

Interview with David J. Rogers

 

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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A Sister’s Death in Paradise

The breathtaking Hawaiian Islands are an inappropriate place to become ill, but Honolulu, their state capital, largest city, and principal port, is where my younger sister Sharon had chosen to live–where the last months of her life she was hospitalized. In her early twenties she had left Chicago where we had grown up and I still live and she had visited one exquisite picture post card place after another in Spain, France, the South Pacific, and the Mediterranean, and so on, in search of the single place where she thought she would be happiest living and had found it.

Now she was thirty-seven and married. She had long, black, slightly curly hair and was petite–thin, not very tall. Generally cheerful, often smiling, she was a pianist. She could spread her hands wide, spanning the keys with her long, thin, limber fingers. After some time I went to see her. Twelve months earlier she had telephoned to give me the bad news— the disease she had believed was gone without a trace and would never terrify her again was back.

I had been in Honolulu seven days, getting to the hospital at about eight every morning, spending the day with her, and leaving at about nine p.m.  Those would be our last days together, and it was difficult to watch my visit passing day by day, being aware that after I left her room that last afternoon I would never see her again.  One day in the future while I was back home or traveling for business she would go into a coma and pass away.

On the nights of my visit after seeing her I would walk on the beaches, reflecting on the day, finding restful the fresh air and coolness, and sleeping at Sharon and Ron’s apartment. On the kitchen floor there was a scale to measure the dwindling of my sister’s existence, and sheets of paper on a clipboard suspended from a nail on the wall that recorded her declining weight: ninety-eight pounds, ninety, eighty-eight…and a calendar that had Xs on days she wasn’t healthy enough to work that in recent months had become all Xs. Against a wall there was a full-length gold-framed mirror that in the past she had looked into. The mirror was dusty.

I was crossing the hospital’s parking lot after visiting Sharon that last time before leaving on a flight for home.  During my visits I had looked down at that lot from the often-breezy twentieth floor balcony while hospital people and Sharon’s many friends, her husband, and his relatives like actors all  pretending their spirits were high, streamed into and out of that sorrowful room.  Ahead of me I saw Sharon’s favorite nurse getting into a car. I called her name–“Kathy”…”Kathy”–and she turned and waited for me. I ran and caught up with her. We smiled. She was Japanese-American, in her late thirties I thought, a professional nurse in the most caring sense, a sweet, tender woman with a soft voice and bashful eyes.

There was no need for Kathy and me to discuss where Sharon stood. It needn’t be said that it wouldn’t be long and that soon Sharon would be gone entirely from my life and from the world. I knew that the moment coming from the airport and entering her hospital room and putting down my bag when I saw with a shock how puny Sharon looked now. The illness had given her an old woman’s body that had been ravaged by suffering there in that bed that was now her final home–so skinny–all bones–very sick–dying. The pain had turned her black hair white and it was short from the treatment and no longer long. Her once-pretty face was gaunt, her cheeks gray, her body very tired. Her long pianist’s fingers were so thin that her ring had slipped off and was lost. But there in her gray, lonely, fading beauty there was still about her that same gentleness you could ruffle with your breath, the same spirit in her fierce eyes, the same poise, and the same elegance. Looking into my eyes, imagining what I was seeing, Sharon had clutched her gown across her chest in embarrassment –covering herself in shame–still a modest woman–and said, breaking my heart, sucking the breath out of my lungs, “I’m a mess aren’t I?,” and I had replied  to her, “Shar, you are beautiful.”

I told Kathy that I had been looking for her, and that I was happy to have this last chance to talk to her before I left because I would not be coming back. The tips of the restless waves on the ocean to my right glittered in the sunlight. The cloudless sky was a perfect azure as far into the distance as I could see. I told Kathy that I was grateful to her for the gentleness and goodness I had seen her show Sharon.  She, more than the other nurses, and the technicians had been so careful not to hurt her when she had to be sponge-bathed or moved as though she thought Sharon a prized porcelain doll.

I said to Kathy that I would never forget her kindness, her thoughtfulness. In my mind Kathy remains as she was then, at four-thirty in a parking lot that was a short distance down a dirt path and across a little park from exciting Waikiki.  Then, as though she wanted me to have something  tangible to take home with me, Kathy told me what a good patient Sharon was, how in spite of the pain and having to live until her death with the bleak knowledge that there was not the slightest hope, Sharon had never complained and “was always so nice and had good manners,” and how it would make her very sad when she would have to say goodbye to her and would feel for her then the heavy weight of sorrow.

I had planned to sleep on the plane that night, but I couldn’t. I was wishing Sharon had her life to live over again. In my imagination I saw us as the happy girl and boy that we had once been, getting ready to ride our bikes to the library. The gray interior lights were dimmed low, as if the plane itself were drowsy. Everything was silent but for the deep hum of the engines, the other passengers asleep. I wanted to prepare myself for what it would be like now without a sister, my parents without a daughter, my children without an aunt.

One month later, in January, the twenty-first, when I was leaving my home on an errand through winter winds and  swirling snowflakes, my daughter Alice shouted out the window, “Dad, Uncle Ron is on the phone.”  He said succinctly. “Sharon died today.”

 

Related Posts by the Author:

Days End: A Story of Courage and Love

Art and Memory

Be a Quiet Hero

 

© 2022 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:

Interview with David J. Rogers

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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Selected Poems by David J. Rogers

 

Hobos in a Clearing in Wyoming

We reached the crest of the hill at dusk.
Below us like the camps of infantry
Burned the scattered fires of forgotten men,
Each a separate picture.

They lived in the open or in
The opulence of tarpaper lean-tos against a tree
And migrated as punctually as geese.
They wore black–perhaps it was the soot of freight trains–
And squatted on their haunches like crickets
Beside the snapping flames.

Cicadas chirped in the grass.
Streams of smoke trailed off high into the trees.
Embers flickered and faded, flickered and faded
In the harsh bite and sparkle of a sudden wind
And glowed bronze on the men’s untroubled faces
Late into the night.

 

Bed

Danger in the air today.
Madeline woke to morning fear,
Passed into afternoon fear,
And came to evening fear.
Unspeakable really-
+++++She’s going to bed.

As always her friend
Called at noon.
If Madeline answered she was still alive.
Then Madeline was hungry
And went down to the kitchen
But didn’t have the strength
To make a peanut butter and jelly
Or ham and cheese sandwich
And heard voices in the walls so
She gave up and now
+++++She’s going to bed.

She tried especially hard today,
Did her best
As long as she could
As she promised
She would
And now
+++++She’s going to bed.

She is sorry
She let her friend down
(He cares so much)
But nevertheless
+++++Bed is where she’s going.

She’s left her friend a note
Because she has no one else
To write notes to before
+++++Going back to bed.

Danger inside Madeline too so
Bed is where you will find her.
Bed is where she will be.
+++++Bed is the place she is going.

 

Lady at the Fair

At the history museum in Chicago
I turned into a gallery and
I saw your life size photograph, you
Coming toward me
Holding a parasol in the rain
At the World’s Fair in 1893.

What I wonder
Do you mean to me now.
What do your long lace gloves
Flowing textured white dress
Plumed floral hat
Pleasing face
Parasol
And eyes meeting mine
Signify to me?
Why does the memory of
The image of you in that picture
Take hold of my heart?

Why do I feel
Affection for you
(I don’t know you)
And wish I too at that moment
Was turning that corner
Under those rain clouds
Onto the fairway
With you whoever you were
Close to me
That day a century
And a quarter ago?

 

Friendship

My dog and cats are dead now
But the squirrel who loved them
Comes every morning to sit on the fence
Awaiting their return

 

Morning Glories

Sitting on a window sill
Watching people
Exchanging stories
Over white and purple
Morning glories
On the flanks of the hill

 

Woman Sitting at a Table in China Town

I saw you
Looking at me
Knowing I had
Looked at you
No chance ever
To see you again
Or you to
Look at me again
With your dark eyes.

You, who had I
Known long ago,
I would have run
My finger over so carefully
Then cupped in my hand
Like an orchid.

 

Fish

Down on the docks of Puget Sound
The air is pervaded
By the smell of
…Fish.

The trawlers, the warehouses,
The cutting houses, the waves and wind–
Everything–
…Fish.

And all the people there,
Are the color of
…Fish.

After work this fish population
Assembles in schools
In restaurants along the water
Where they eat
…Fish.

And when you walk down the street
Afterward you realize,
Laughing, in high spirits, that
You too have become a
…Fish.

 

Wolves In The Rocky Mountains

We sat at a table in the inn and ordered coffee.  The utensils were gold. From the windows we watched through the falling snow eight stalking wolves winding down the mountain in single file, slowly, like liquid through the spruces and evergreens. It was getting late. We had stayed too long. We didn’t want to stay around until dark when at that elevation it would be really cold, and the wolves were on our mind. We paid and left.

Looking over our shoulders we saw the wolves streaking among the trees and circling and wheeling around and teasing and tormenting a young deer they had separated from a herd. We could hear the wolves and the deer breathing and see the wolves when they weren’t attacking the deer playfully burrowing their snouts in the snow. There was nothing we could do to save the deer. We didn’t want to watch.

 

Lovely Ambition

I think I will write a masterpiece
After lunch today.

My readers will no doubt sigh and say
“This poem’s well-nigh beautiful,
The play of language across the page,
A rage of genius.”

It will not be frivolous and light
As other poems I’ve read,
But of love, birth, and death,
The major topics so to speak.
But first I’ve an appointment to keep–
Laundry in the corner piled steep.

I will begin with the delicates
As I am prone to do,
Then pen my masterpiece
In the afternoon.

 

Waitress in a Café in Kayenta Arizona

Fingers like sausage links,
Face round as a tire,
Hips the breadth of a moving van,
Elaborate, beauty-shop hair,
Said her name was Anita Valaquez.

She said:
“Shove over handsome” and sat down.
She said: “I know you’re thinking just look at that woman,
She’s got an ass you could set a table on.
But that’s okay with me. You can’t argue with reality.”

Then she said: “Got a minute?
I want to tell you kids a story.”

 

Woman Suffering Badly In Diversey Parkway Apartment

Day by day, event by event,
Milestone to milestone–
New Year’s Day, Independence Day
Birthdays and anniversaries-
Year by year and slowly
Like jelly tumbling from a jar
Illness interminable
Pain unceasing
Friends departing
Lonely.
Watching her soul dying
She asks
“Can one return safely from hell?”

 

The Snow Fort

As a boy
I built a snow fort
Under my porch
Working all day
While others played
And hosed it down
So it would survive
And I was proud

It was a sturdy structure
But not sturdy enough
I suppose because
When I went to admire it
In the morning
It was shattered
By whom I would never know

I wondered and often have
Why someone
Would be so cruel
As to destroy
A snow fort like mine
And never built another

 

The Joys of Puttering in Closets

Old clothes
Are the best clothes–
Ketchup on sleeves,
Rips on knees,
Mustard on trousers
In the shape of flowers,
Frays where frays belong.
Ah, there is nothing wrong
With wearing old jeans
Tearing along the seams.

 

Woman in the Garden

We are all so complicated and sealed up
In the little disguises we wear
That we can truly know in one lifetime
Only a person or two, and they not always

But only in momentary bursts of understanding.
All the others we reduce to a few strokes:

That woman in the garden is lovely, has a lovely smile,
Owns a lovely dog.

 

Summer Scene

Monarch of the
clothes pin

servant of the
breeze;

white sheets
muttering,

white shirts
fluttering

on the
line.

Mother at her
dearest

on the gray -painted creaking
porch

on a sunfresh
afternoon.

 

The Lessons of Birds

One cannot help but suffer desolation
As dreary as the land itself
Standing alone in barren places

And feel the sincerest admiration
To see rising from a yellow hill
A large black bird whose wings open wide
And show a bright vermillion underside
That cries loudly with delight as it takes flight

To live most admirably it seems
One’s soul must be to desolation
And barren places
As a bird ascending joyfully
From yellow hills

 

Mom

She bends over
The washboard
Exuding love

Uneasy with words
She has no other way
Of expressing it
So she scrubs and scrubs

 

Old Man in Shorts In Wilmette Illinois

Odd to see
An old man
With knobby knees
In Bermuda shorts
Thumbing a ride
On a busy street
At three PM

 

Butterflies

Butterflies you and I
Fluttering over a garden–
Our little world–
Flower to flower
One person then another
In search of that one who is to us
Though perhaps to no one else
The loveliest

And when we find that flower
That is enough

 

Sister and I Impatiently Waiting for a Bus

Slush
On the street and sidewalk
Soft and hushed

Down the street
Before the red brick fire House
Clanking chains lashed
Around softly humming tires
Splash past

A warm Christmas Eve
End of day
Grandma and Grandpa on their way

 

Friday Calls

813-629-5162
813-629-5162
813-629-5162
Every Friday night
813-629-5162
But now my mother has died
And O, I’ll never hear her voice again from
813-629-5162

 

We say goodbye to life in increments

We say goodbye to life in increments
A daily departure
And others in our absence
Ask when and how we went

We can’t return
Even if we wished
All hope spurned
Plot finished

 

Hiking Along the Timeless River


“We felt we were above the world, above reality, in pure, pure ecstasy.”

Then the river in the forest was back with us, coursing in its channel from north to south, country to city, undulating, serene, immortal, as though on our return that night it would sweep us along in its steady current past what had ever been and was ever to be, immune from time.  Overhead the trees cast long, thin shadows that swayed on the moving surface like dancers.  Sweat flowed in streams down our backs and we were as optimistic and happy as the wind was hot.

My father took off his knapsack and rubbed his shoulders where it had cut into them and reared back and flung a twig into the air and far out into the river. Then we took off our shoes and socks and put our feet refreshingly into the ceaselessly passing water. Laughing, we splashed each other.

We felt we were above the world, above reality, in pure, pure ecstasy. We lounged back on the bank, contented, centered, listening to the river wind, and gazed up at the eternal sun displayed in the sky like a burnished coin while below it the timeless river flowed on, bearing Dad’s twig swiftly away to eternity.

 

© 2020 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click the following link:

Interview with David J. Rogers

 

Order Fighting to Win: Samurai Techniques for Your Work and Life eBook by David J. Rogers

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More Inspiration and Information For Creators #5

Part 5 of a series.  See also Part 1, Part 2 & 3, and Part 4

 

Leaves floating on water with reflections

On the Surface and Beneath by Steven V. Ward

 

 CREATORS’ FEELINGS, EMOTIONS

  • “(Creators) who lose their youthful rebelliousness are in grave danger of losing their talent as well” (Robert Jourdain).
  • “Art depends heavily on feelings, intuition, taste. It is feeling, not some rules, that tells the abstract painter to put his yellow here and there, not there, and may later tell him that it should have been brown or purple or pea-
    Lost Pink Hydrangea by Steven V. Ward

    Lost Pink Hydrangea by Steven V. Ward

    green. It is feeling that makes the composer break surprisingly from his key, feeling that gives the writer the rhythms of his sentences, the pattern of rise and fall in his episodes, the proportion of alternating elements, so that dialogue goes on only so long before a shift to description or narrative summary or some physical action. The great writer has an instinct for these things” (John Gardner).

  • “Every day the rejected manuscripts would come through the slot in the door…I’d sit at that old wooden table and read one of those cold slips that had been attached to a story I had loved and worked on very hard and believed in, and I couldn’t help crying” (Ernest Hemingway).
  • “One of the marks of a gift is to have the courage of it” (Katherine Anne Porter).
  • “The good artist believes that nobody is good enough to give him advice. He has supreme vanity” (William Faulkner).
  • “Research has found that uncontrollable anger is common among creative geniuses of all stripes. Always reaching for the impossible, life can be a long series of obstacles and frustrations” (Robert Jourdain).
  • “It seems to me that the writers who have the power of revelation are just those who, in some particular part of life, have seen or felt considerably more than the average run of intelligent beings” (Gilbert Murray).

WRITERS

  • “Writing is harder than anything else. It’s much easier to wash dishes” (Kristin Hunter).
  • “It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything” (Virginia Woolf).

    Watercolor Iris by Steven V. Ward

    Watercolor Iris by Steven V. Ward

  • “Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon one can never resist or understand” (George Orwell).
  • “History shows that the less people read, the more books they buy” (Albert Camus).
  • “The only writers left who have anything to say are those who write about practically nothing and monkey around with odd ways of doing it” (Raymond Chandler).
  • “It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous” (Robert Benchley).
  • “The only drama which really interests me and that I should always be willing to depict anew is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity” (Andre Gide).
  • “When men ask me how I know so much about men, they get a simple answer: everything I know about men I learned from me” (Anton Chekhov).
  • “If you are silent for a long time, people just arrive” (Alice Walker).
  • “For the writer there is only endless memory” (Anita Bruckner).
  • “The classical authors you still read today are not those who said the truest things. But those whose language has preserved a trace of them” (Jean Guitton).
  • “It would be as hard to predict the dancing flight of a flock of finches, or the subterranean movements of a single mole, as to explain a great writer’s peculiar gift” (Llewelyn Powys).
  • “A writer is interesting because of his peculiar perspective. Can this perspective be taught? I think not…A
    Blue Hydrangea Sunset Impressiion by Steven W. Ward

    Blue Hydrangea Sunset Impressiion by Steven W. Ward

    beginning writer hesitates to anoint himself, to make a declaration of his very special character. And so he seeks institutional support. He goes to the universities and gets a Ph.D. in creative writing and feels himself armed for the struggle. Like any other licensed professional. But this is social assistance rather than creativity.” (Saul Bellow).

 ARTISTS

The art featured in this post is by the talented artist Steven V. Ward whose work can be found on FineArtAmerica. His beautiful images attracted my attention on social media, and he kindly gave me permission to display some of them in this post.

  • “I alone here, on my inch of earth, paint this thing for my own sole joy, and according to my own sole mind. So I should paint it, if no other human being existed but myself…Thus I must do it, for thus I see it, and thus I like it” (John Ruskin).
  • “One man in particular has the faculty of inflaming your imagination till you feel ready to declare him one of the bringers of heavenly fire. And yet his art is mad. Your first impulse is to laugh at these staggering cottages with flaming red roofs, or the blaze of rockets and Catherine-wheels supposed to represent night. But your laugh dies on your lips; you go on gazing, stupefied yet interested; and when you leave the exhibition, you do not know whether you have been looking at the pictures of a madman or not, but you have forgotten all the other pictures in the room” ( (From a review by Cecelia Waern of a painting by Vincent van Gogh in 1892).
  • “Like other creators, artists exhibited androgynous personalities, meaning that they were not concerned with
    Digital Watercolor Field of Wildflowers by Steven V. Ward

    Digital Watercolor Field of Wildflowers by Steven V. Ward

    their actions being viewed as masculine or feminine” (Jane Piirto).

BALLET DANCERS

  • Other performing artists try to give the definitive performance of a work, a role, a score, but ballet dancers have even higher standards that apply only to dancers. The standard against which dancers measure their performance is not simply that of the highest excellence. “Every serious dancer is driven by notions of perfection–perfect expression, perfect technique…In no other art can one find a comparable gap between what the world thinks of a star and what the star thinks about himself or herself, between the adulation that pours from the outside and the relentless dissatisfaction that goads one from within…Part of being a dancer is this cruelly self-punishing objectivity about one’s shortcomings, as viewed from the perspective of an ideal observer, one more exacting than any real spectator could ever be”(Susan Sontag).

ACTORS

  • “The great moments (in theatre) are almost always connected with the personality of an actor or actors” (Tyrone Guthrie). 

COMPOSERS

  • “The most perfect (musical) instrument in the world is the composer’s mind. Every conceivable tone-quality and
    Winters Approach by Steven W. Ward

    Winters Approach by Steven W. Ward

    beauty of nuance, every harmony and disharmony, or any number of simultaneous melodies can be heard at will by the trained composer; he can hear not only the sound of any instrument or combination of instruments, but also an almost infinite number of sounds which cannot yet be produced on any instrument” (Henry Cowell).

 

 

© 2017 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

Interview with David J. Rogers

 

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Ross Lockridge: Artistic Success Became Tragedy

As a boy I had heard the story of the short, strange life of a novelist from my part of the country who wrote one book, and then he died. When I was old enough I read it, and it was a long and wonderful, beautifully-written book. tree-246194_640And I remember the movie they made from it, and the wistful music and the tall golden tree at the end when everything turned out well. I have the feeling now that a little time should be taken to remember him.

His goal since his Midwest American childhood was to write a great successful novel. Why shouldn’t he? If ever there was “a charmed life” it belonged to Ross Lockridge, Jr.  He was immensely talented, handsome, confident, reliable, competitive, rarely drank and never smoked, married to his pretty hometown sweetheart, father of four, brilliant, a success at everything he ever attempted– sports, academics, girls—highest GPA in Indiana University history—for six years a relentless worker on the novel that consumed and obsessed and tormented him and on which he staked his claim to greatness—Raintree County.

He believed in his critically-admired and widely-praised book and single-mindedly devoted himself to writing it and to its promotion. He worked with no other purpose, compelled by a force that made everything but the book unimportant, nothing else mattering—twenty or thirty pages a day flying from his typewriter–a rich man now after years of financial worries, scrounging, budgeting, and sacrificing. Yet shortly after Raintree had catapulted him into fame and money, and was the biggest success in the literary world, seeing his book become not just a hit, but the number one best seller in the United States, he committed suicide.

He left the new house his royalties had bought him, telling his wife he was going to mail the letters he was holding in his hand and might stop over at his book-with-treefather’s house to listen to a basketball game on the radio. He seemed to be in a good mood and had seemed cheerful all day. He was now mentally ill and had to admit that. He had sought treatment though his family didn’t want to admit he was sick. Recently, his wife had found him opening and closing the kitchen cabinets and asked him what he was doing. He said, “I’m looking for a way out.” His many treatments of ECT (electroconvulsive therapy—“shock treatment”) had failed.

He went into the garage, locked the doors behind him, started the engine of his new car and ran a vacuum cleaner hose from the tail pipe into the car’s ventilation system. He lay down in the back seat and was found by his family hours later. He was thirty-three.

There is never a single theme, event, or explanation that comes out of a man or woman’s life. But no one who knows anything about how easy it is to be trapped in a pursuit of achievement that’s gotten out of control, especially in the arts, can fail to hear the echoes of similar voices equally successful and equally in despair—Nobel Prize winner Ernest Hemingway’s suicide and one of the twentieth century’s most influential poets Sylvia Plath’s suicide, and Pulitzer Prize winning beautiful, sexy poet, doomed Anne Sexton’s.

Success not only did not bring Lockridge happiness, it brought pain and depression. Everything in his life he’d reflected in his book and now the book branches-625907_640was done and he had nothing creative left. He tried, but he couldn’t write anymore. He felt he had made too many compromises to his publisher and the movie studio, had given in too often when he shouldn’t have, and had sold his soul and was paying for it.

Anyone who’s been touched by fame’s and wealth’s pursuit recognizes the symptoms of Lockridge’s ambition gone awry: sadness, the sense of being cheated and exploited, resentments, anger, hostility, and then the misery of miseries: his inability to create. The fulfillment that gives a healthy artist’s life, its main meaning was no more. All his joy was gone. Success was too difficult for Ross to bear.

 

© 2016 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

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Filed under Ernest Hemingway, Life History Study, Literature, Raintree County, Ross Lockridge, Writers

Art and Memory

“A man’s work is nothing but the slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened “(Albert Camus).

I

I’m now well, but for years I wasn’t. I lay in bed day and night in an upstairs room in a silent house alone but for my son’s cat Monty beside me to my left cat-114629_640and my dog Jack to my right: my beloved companions. I watched no TV, listened to no radio, read no newspapers, and heard no music.

From that bed I could see out the bedroom windows the crowns of a grove of tall, flourishing trees.  I watched on the trees the seasons change, the leaves brilliant, blinding green in spring, crimson and gold in autumn, brittle and curled when they came to rest on my window sill. Some winters there was more snow there on the branches of those trees than other winters.

Unable to write anymore or to read the books I loved or live a physical life. I decided I would not waste time wondering why what had happened to me had winter-1153669_640happened.  I would have to stay alert and live a life of the mind, and I set a project for myself. I would reconstruct my life to date through my memory. From that bed I would flee into solitude and journey backwards in time.

We set the dead aside as though we have no need of them. But I wanted to pluck out of the long ago the people who had populated my world when I was growing up. I had lived among them and knew their gestures. I had heard them speak so many times, and wondered greatly about them. But I didn’t know who they really were, didn’t know what their days and nights had been like. I realized that if I wanted to be with them, though most had died, I would have to discover them in myself where they all still lived.

I was growing older. My children were gone now—my daughters Stephanie and Alice and my sons Evan and Eli. Their laughter no longer brightened the house. I didn’t know what would become of me. But I wanted to see things as they were before forgetfulness mounted and memories faded and were lost or my life ended and the memories I had assembled ended with me.

I longed to walk through the house where I had grown up and to look out on the street and see the wealth of familiar things that were before me every day days-and-nights-pic_copyin my youth, no sights as dear to me as what I saw from the kingdom of my porch. I wanted to hold my father’s hand again and look into his kind eyes. I wanted to revel in everything–the hum of voices, the smells of night air, those early-evening hawks floating above my house and tucking their wings in to their bodies and diving like falling kites, the taste of my mother’s dinner in my mouth, the sight of her trying on a new hat, and of my younger sister Sharon—my pal–who died so young as a little girl coming up the stairs in her favorite beige coat with a fur collar as I remembered her.

I decided I would try to remember accurately and when I was able to write again, if ever, I wouldn’t lie about what I had discovered because in writing or painting—or acting–one should never lie.  Russian Anton Chekhov said, “Art has this great specification: it simply does not tolerate falsehood.”

And so hour after hour, again and again in my search for truth I burrowed back into myself and evoked the days and nights of my childhood. I notebook-86792_640remembered as well as I could what I had experienced myself and what had been told to me. When there in that room  I came upon something that didn’t make sense to me, and I couldn’t explain, or didn’t remember clearly, or couldn’t possibly know, I relied on my imagination.

My father’s brother died tragically and violently, and my great uncle was a war hero under enemy fire–a rescuer of wounded men–and too, died tragically. I thought about them so many times—of the stories of them I’d been told–and decided that what I’d been told must be incomplete. So I inferred what their real stories were that I hadn’t been told. I concluded that my uncle, that troubled and most charming man we all loved, must have let himself be murdered.

Loneliness, solitude, and isolation are at the core of a creator’s life as they are of a sick person’s life. I learned to adjust to them because I had no choice. I became an expert on despair and pain during that period—despair that is beyond despair, pain beyond pain.

II

At first my remembering was over in a few minutes and was very general and unclear. Memories were there in my mind and then slipped away. I might be distracted by a sound: a storm wind blowing wildly through my trees, or a siren. But then I slowed down and focused intently and remembered in finer and finer detail.  At first I might remember being six and feeling again that tingle of anticipation—of joy– I always felt in my boy’s strong body–my arms, handsmy legs, my fingers–and climbing flights of thickly carpeted stairs with my family—my father in front of me, my brother John behind–and entering an apartment. Then I would remember a hallway; then in a glass case that was taller than a man my Aunt Sarah’s menagerie of little colored glass animals, a rearing white unicorn, a red deer. Then the smell of turkey. It was a holiday. We were all happy.

Detail is the secret of remembering, I discovered–details and details of details, a multiplicity of details, as it is the secret of all the arts when they are done beautifully, a preciseness of vision. That was an important revelation. “Thus the greatest poets are those with memories so great that they extend beyond their strongest experiences to their minutest observations of people and things” (English poet Stephen Spender).

III

My life, like yours, has been carried away by passing days. But time doesn’t disappear absolutely, gone forever, but remains inside—every image and horizon-768759_640impression once experienced is waiting patiently to be retrieved—“those thousands of things which all of us have seen for just a flash…which seem to be of no consequence…which live in our minds and hearts forever” (American novelist Thomas Wolfe).

Over and over, hour after hour, day after day I was moving in closer, backing up and rethinking until I was satisfied and could say, “Yes, yes, that is how it was when I was a boy. I’ve gotten it right.” I did that carefully. I had all the time in the world because I didn’t know if I’d ever be well and wasn’t in a hurry.  I didn’t know if I’d have what it takes to transform memories into meaningful images and words, into art. But I was growing more confident now that one day I would.

Night would be falling before I heard footsteps on the stairs and a door opened and I could answer the question I’d waited so eagerly for all day: “Hello, dear, what did you remember today?”

Time passed and I was well again. Then I left that room.

 

© 2016 David J. Rogers

For my interview from the international teleconference with Ben Dean about Fighting to Win, click on the following link:

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Filed under Artistic Integrity, Artists, Growing Up Stories, Memory, Personal Stories, Writers