Good Writers Who Were Discovered by Agents and Publishers

Writers, are you having trouble getting published? I sympathize. Yet, be ready! In a month, week, or day or a few hours, or minutes, you may come in contact with that one editor, one agent you must have confidence exists here, there, somewhere, who will discover you, recognizing your potential, your craft, your genius the way young Faber & Faber editor Charles Monteith recognized novelist William Golding’s immense promise when no one else in the world did.

 

William Golding

Monteith was charming, witty, and sophisticated, qualities Golding did not possess. Golding’s novel Lord of the Flies was Monteith’s first editorial project; his first taste of an editor’s role. Some editors–very capable in other areas–are surprisingly poor at judging the work of beginning writers, but that was not the case with Monteith.

Old manuscript with stainsThe manuscript Golding submitted was worn, torn, and stained when Monteith first saw it. It had obviously been rejected by other publishers. Even Monteith agreed that this work of a public school teacher was over-written, disorganized, repetitive–a mess–and seemed never to get started. After many rejections Golding was losing hope of having the book published, of ever being published.

But Monteith saw “something” in the book, and in Golding –the work of a unique talent–and fought for it at editorial conferences, almost coming to blows with a senior editor who was known to have impeccable taste in picking properties that would succeed. Monteith prevailed, staking his young reputation on the book. Lord of the Flies was published, caught on, and was published in many languages.  Many Golding/Monteith novels followed. Monteith and Golding were editor and author friends the rest of their lives. William Golding was awarded the Nobel Prize in literature in 1983.

What might have happened had Golding’s beaten-up manuscript not caught the eye of the best possible editor for him? One day you may be fortunate: a Monteith may be excited by your work and discover you.

 

The Need to Be Discovered

The logical conclusion of the process of serious writing is to see the work published. Before writers get published they have to be discovered, to Hands typing on a laptop with a background of question marksbe recognized as a person with a talent that can generate revenue. When a writer is discovered by an agent or publisher, their life changes for the better. This post is about writers who were discovered, then published, and found success–perhaps more success than they expected. There are so many writers with all the talent in the world who are trying very hard to be discovered by an agent or publisher who is trying as hard to discover them. There is a good chance that many writers we read would never have been published had they not been discovered by the right agent and a right publisher.

 

Harold Kushner

A friend of mine was the late Rabbi Harold Kushner. He too was discovered by an editor with insight and moxie. Harold personally hand-carried his manuscript to publisher after publisher in New York and Boston.  Every publisher rejected When Bad Things Happen to Good People. Editors said the book couldn’t possibly succeed. For one thing it was “too Jewish.”

Two people shaking hands with a background of a city skylineFinally a small publisher picked it up. However, this editor who discovered the book, was different. He was enthusiastic and said to Harold, “Your book is going to be a best seller.” Finally what Harold had been hoping for: someone had faith in the book and its spiritual message. It became a phenomenal best -seller, the most popular book in the world, selling twenty -five million copies.

 

Thomas Wolfe

Scribner’s editor Maxwell Perkins discovered biographical novelist Thomas Wolfe. Wolfe was the most talented writer of his generation. His monumental goal was to convey in his writing every experience he had ever had. His vocabulary and expressiveness with language was so stunningly extraordinary that it didn’t take a genius to recognize that Wolfe was one. Wolfe wasted ten years trying to be a playwright until his married lover, patron, and muse Aline Bernstein told him, “You were not meant to be a dramatist. You should be writing novels.” The popularity of his first novel Look Homeward Angel marked him as a major talent, so much so that when fellow American Sinclair Lewis was awarded the Nobel Prize in Literature in November, 1930 Lewis praised Wolfe as the writer to be reckoned with in the future.

An open blank book floating above dark blue waves with a lighter blue sky Maxwell Perkins was the greatest American editor.  Editor of giants Wolfe, F. Scott Fitzgerald, and Ernest Hemingway at the same time, he tutored and guided Wolfe who never had a concept of “a publishable book.” Thousands of hand-written words poured out of high-energy Wolfe in a frenzy all night long. In the morning a woman picked the pages off the floor of his New York apartment, where Wolfe had thrown them, and typed them up. Perkins taught and tutored Wolfe literally daily. Each man considered their meeting and their relationship the most important event in their lives.  Perkins gave Wolfe assignments such as “You have to cut this episode by six thousand words,” and “Cut the book by 200, 000 words. I’ll help you.”

 

Jack London

Silhouette of a howling wolfPersistent and confident in spite of failures, Jack London submitted his manuscripts hundreds of times to publishers that rejected the work before an editor discovered him. But after that, within a single year London, a self-educated writer, took the literary world by storm and was the most popular, most critically and financially successful novelist/short story writer in the world.

 

Talented People Looking For a Break

I traveled extensively in North America and Europe during my career as author/public speaker and often after a work day and dinner would have a drink in the hotel lounge and enjoy the entertainment. Leaning brown tree limbs in front of green sunlit leaves and a serene pondInvariably I would think, “All these incredibly talented performers I see–artists who are looking for a big break and are dying to be discovered.”  Much like them, so many writers with so much talent also are trying very hard to be discovered. Without the people who discovered William Golding, Thomas Wolfe, Harold Kushner, or Jack London, would we have ever heard of those famous authors?

 

 

 

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13 Comments

Filed under Adversity, Charles Monteith, Confidence, Developing Talent, Human Potential and Achievement, Editor, Goals and Purposes, Harold Kushner, Jack London, Maxwell Perkins, Publishing, Thomas Wolfe, William Golding, Writers

13 responses to “Good Writers Who Were Discovered by Agents and Publishers

  1. Thanks for the perspective. To when I find the right editor! (need to rewrite the manuscript first).

    Liked by 2 people

  2. I know the feeling, David. I was sure glad when a publisher first said yes to my novel. It was sad when COVID forced them to shut down, but I’d already established a relationship with another publisher, whom I found through another blog, and they said yes to publishing a new edition. You could say it was a 2nd lucky break.

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    • And there you had bad luck–the shutdown–and then good luck, the second publisher. Luck certainly does figure in publishing just as it does in every other human activity. In my publishing life, I have experienced at times incredibly good luck and at times incredibly bad luck.

      I hope you’re doing well, Andrew. Thank you for the comment.

      Liked by 1 person

  3. Good morning David, Thank you for this informative post.

    I believe the key to possibly being found by an editor/publisher/ etc is persistency and most importantly enjoying the journey – allowing the process and possibly the right person to be revealed all in its good time.

    You mentioned ‘generating revenue’ – I agree with you but again feel that it’s best to put that aside and focus on the work at hand….with the hope that ultimately readership and revenue will be revealed:)
    Enjoy your baseball season. Janet 🙂

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    • Hello, Janet.
      Thank you for the insightful comment. You mention enjoyig the journey which reminds me of the wonderful pleasure the publication process is. Your book comes out, and your life changes in ways you cannot possibly anticipate. You are the toast of the town. You will never be the same. Opportunities appear to your left and right. Your dream has come true.

      I agree with you, of course, about the importance to a wrter–to anyone–of persistence. I’ve said in past posts that persistence may be more important to a writer than talent.

      Every book a publisher assesses is scrutinized for its potential for making money. Authors who can write profitable books are prized because they are so rare.

      Thank you for wishing me well on the baseball season. Win or lose, we still enjoy and support our team.

      Best wishes,
      David

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  4. Grant A Holmstrom's avatar Grant A Holmstrom

    Well even Thomas Wolfe eventually switched publishers from Scribners to Harpers. But I would say that his novels from Scribners with Perkins were better than his novels with Aswell at Harpers.

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  5. I’m sorry to have missed this interesting post, David. (My current Internet situation is extremely limited, and I can only do a fraction of the amount of blogging I once did.)
    I wonder if this still happens today. Although, from the day I published the first novel in 2012, all the research and personal experiences (of other authors) I found caused me not want to have anything to do with traditional publishing. If a major publishing house approached me… but that’s a miracle on par with parting the Red Sea.
    Hugs.

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    • Hello Teagan. Thanks for your comment. I didn’t realize you’d been publishing for so many years. I don’t know if what I describe in this post happens commonly and as dramatically these days as my examples, yet books are still being published by traditional publishers. I understand what you’re saying, though. When you’re older and have had your share of publishing successes, you don’t feel the same urge as you once did to throw your hat into the publishing ring, especially now that writers can get readers of their work in other ways.
      Hugs to you as well,
      David

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  6. Interesting to read about Tomas Wolfe.

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